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FLAPPERS

SIX WOMEN OF A DANGEROUS GENERATION

Mackrell ties her subjects together by asserting that they all struggled “with the quintessentially contemporary conundrum:...

Biography of six women who declared their independence during the Jazz Age.

British heiresses Diana Cooper and Nancy Cunard, Russian artist Tamara de Lempicka, African-American entertainer Josephine Baker, actress Tallulah Bankhead and aspiring writer Zelda Fitzgerald were daring women who defied expectations about what a woman’s life should be. Calling them “flappers,” British dance critic Mackrell (Bloomsbury Ballerina: Lydia Lopokova, Imperial Dancer and Mrs. John Maynard Keynes, 2009, etc.) notes how they were sexually promiscuous, reckless and given to “provocative exuberance.” As Dorothy Parker put it: “All spotlights focus on her pranks. / All tongues her prowess herald. / For which she may well render thanks / to God and Scott Fitzgerald.” It was Fitzgerald, after all, whose short stories publicized boyishly slim young women in short skirts and slinky gowns, drinking gin fizzes and falling giddily into love affairs. He modeled his flappers, he said, on his wife, Zelda, who once remarked, “I think a woman gets more happiness out of being gay…than out of a career that calls for hard work, intellectual pessimism and loneliness.” Although Mackrell’s subjects took advantage of postwar hedonism, unlike Zelda, the others showed no reluctance to work hard. Cooper became a respected actress; Cunard, a poet, publisher and political activist; Bankhead devoted herself tirelessly to her acting career; Lempicka, who had fled Russia after the revolution, reinvented herself as a painter; Baker hired tutors to shape her as a performer. Zelda was deeply unhappy: Her writing career never took off; her marriage was blighted by anger, infidelity and alcohol; and finally, she succumbed to recurring mental breakdowns.

Mackrell ties her subjects together by asserting that they all struggled “with the quintessentially contemporary conundrum: how to combine career and family, self-interest, marriage and love,” but readers of this gossipy collective biography are unlikely to identify with their struggle. What these women shared most strongly were the glittering allure and tragic consequences of celebrity.

Pub Date: Jan. 14, 2014

ISBN: 978-0-374-15608-4

Page Count: 512

Publisher: Sarah Crichton/Farrar, Straus and Giroux

Review Posted Online: Oct. 9, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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