The book is well-written, but the sexual escapades and personality disorders of the principals take so much space that it...
Guardian dance critic Mackrell (Flappers: Six Women of a Dangerous Generation, 2014, etc.) connects the lives of three unique 20th-century women.
These exceptional women—Luisa Casati, Doris Castlerosse, and Peggy Guggenheim—found a freedom in Venice that was not available elsewhere in Europe or America. The city was welcoming to all sorts of strange and wonderful people. The construction of the Palazzo Venier began in the mid-18th century as a tribute to a powerful Venetian family, but financial difficulties and failure to produce an heir left a building only one story high and two rooms deep—hence, unfinished. Casati found the near ruin and saw it as a place of poetic mystery. She rented it in 1910 and, leaving the exterior derelict-looking, transformed the interior and garden into a showplace for her soirees and a home for her pets, which included a boa constrictor and cheetah, among others. She was always on show, daring but superficial. The author suggests that Casati may have had Asperger’s syndrome, explaining her idiosyncratic behavior, but she lived the aesthetic life, making her life a work of art to cover her inability to express herself. It was Casati who truly brought the palazzo to life; she had a great deal of money, which she spent easily. Not so her successor Castlerosse, who went from a shopgirl in London to a professional mistress. Her connection to the palazzo is relatively minor compared to Casati’s; Castlerosse’s friend bought it for her in 1938 and hosted only one ball before World War II interfered. Guggenheim is the most intriguing character in the narrative, which occasionally falls victim to bloat. Her love of Venice brought her to the palazzo in 1948 to house her modern art collection, making it one of the most-visited attractions in Venice.
The book is well-written, but the sexual escapades and personality disorders of the principals take so much space that it degenerates into a gossipy tell-all.Pub Date: Sept. 5, 2017
ISBN: 978-0-500-51866-3
Page Count: 408
Publisher: Thames & Hudson
Review Posted Online: May 24, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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