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UNLIKELY FRIENDS

JAMES MERRILL AND JUDITH MOFFETT: A MEMOIR

An absorbing, indispensable portrait of poets.

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Poet and science-fiction writer Moffett (The Bear’s Baby and Other Stories, 2017, etc.) recalls decades of friendship and correspondence with the Pulitzer Prize–winning poet James Merrill.

As a doctoral candidate at the University of Wisconsin-Madison in 1967, Moffett took Merrill’s poetry class and found him to be exotic and unique. It led to a nearly three-decade friendship, here preserved in letters and extensive journaling. Moffett went to Sweden to translate poetry, returned to America, and spent years in frenzied activity—writing, teaching, and moving from place to place—all the while sending her poems to Merrill for review. Their friendship was warm, if somewhat anxious on her part, and full of Merrill’s self-styled mystery (“the person who puzzles + fascinates us needn’t be a puzzle at all, so much as a key...to the unsolved puzzle of ourselves,” he wrote to Moffett in 1970. The closeted, gay Merrill didn’t let Moffett get too close when it came to discussions of sexuality, but she addressed it through literary criticism. A who’s who of the poetry world appeared at various conferences and readings, including Elizabeth Bishop, Allen Ginsberg, and Robert Bly, and Moffett provides color commentary. Her Merrill scholarship is exhaustive, as she spent years writing a book about his work while finding success with her own poetry. She and Merrill were rarely in the same place, but she lovingly describes a 1973 trip to Greece and moments at his New York City apartment. Both eventually struggled with serious health problems, but they remained close due to their obvious reliance on each other’s intellect and their lifelong dedication to their crafts. Moffett’s painstaking memoir is epic in length but remains consistently engrossing. Particularly noteworthy is her desire to get to the root of her own fascination with Merrill, and she reaches some surprising conclusions about herself. She tells her own life story of struggle and success with undying fervor, and Merrill’s letters show him to be urbane, witty, a bit fussy, and generous when it mattered. The two were different in many ways, but Moffett’s account of what they shared is authentic and impressive.

An absorbing, indispensable portrait of poets.

Pub Date: Jan. 23, 2019

ISBN: 978-1-79298-040-4

Page Count: 544

Publisher: Time Tunnel Media

Review Posted Online: May 25, 2019

Kirkus Reviews Issue: July 15, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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