Fragile and unsure, the new owlet breaks free from his shell only to be confronted with the question of his own identity. Peering out from his nest with large black eyes, Billywise encounters a small moth that asks, “Who are you?” His mother answers the question for him by insisting that with food, nurturing, and time; he will grow to prowl the air with confidence and skill. A squirrel happens by and repeats the moth’s query, but Billywise’s mother assures him that he will grow to be big and strong. Soon other owlets share the nest, making Billywise dream of space and of swooping through the dark night, lit only by the faint glow of moonlight. Encouraged by his mother’s words, Billywise gains the courage that he needs to step to the edge of the nest and leap into the sky. Climbing toward the moon, he finally claims his heritage, wings outstretched in a midnight-blue sky. Cockcroft’s (Daddy’s Lullaby, p. 563, etc.) luminous, full-bleed, speckled paintings on oversized pages highlight the intensity of young Billywise’s eyes and the beauty of the dark forest. Creatures, especially Billywise, are nearly life-sized in several spreads, adding to their allure. Group this with Martin Waddell’s Owl Babies (1992) and Jill Tomlinson’s The Owl Who Was Afraid of the Dark (2001) for a trio of owl comfort. (Picture book. 4-8)
Pub Date: Sept. 1, 2002
ISBN: 1-58234-778-6
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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