Gourmet cooking, the television industry, private-school troubles, and one of NYC's last eligible bachelors amply furnish the life of Caroline Sindler in this warm, if disappointingly anticlimactic entertainment by Rossner (His Little Women, 1991, etc.). The youngest child of a New York Jewish academic family, Caroline takes after the family's Italian housekeeper, a passionate cook, rather than, say, Gertrude Stein. Bored by college, Caroline spends a summer as an au pair in Italy, where she gets pregnant by- -and consequently married to—Angelo Ferrante, a Sicilian ladies' man. At least she can cook in the restaurant where he tends bar. Predictably, once the couple move to Rome to operate a restaurant of their own, Angelo returns to his stable of mistresses while Caroline slaves in the kitchen and tries to care for their daughter, Olivia. The restaurant succeeds, but the marriage doesn't; Caroline says good-bye to 12-year-old Olivia (who refuses to leave her father) and retreats, traumatized, to her parents' Westport, Conn., home. Two years later, just as Caroline has recovered enough to start holding cooking classes in her Manhattan loft, Olivia reappears, claiming that her father has recently married a monster and begging to live with her mother instead. Caroline has good reasons for optimism: Her precious daughter is coming home, prospects are brewing for a cable TV cooking show, and the Jewish doctor upstairs is showing romantic interest. But she hasn't reckoned on spoiled teenaged Olivia's furious accusations and desire for revenge, which demands that several lives be shattered before mother and daughter can forget and forgive. The climax builds, fueled by Olivia's anger and Caroline's guilt—but in the end, this competent chef solves all her troubles so neatly and easily that one wonders what the fuss was about. Until then, though, engrossing characters and entertaining riffs on the importance of traditional meals keep the pages turning. (Literary Guild main selection; author tour)
Pub Date: Aug. 1, 1994
ISBN: 0-517-59720-9
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1994
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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