by Judith S. Wallerstein & Sandra Blakeslee ‧ RELEASE DATE: June 1, 1995
Yet another entrant in the anecdotal, pop-psych literature on marriage and divorce, this one from the coauthors of Second Chances (1989). Psychologist/marriage counselor Wallerstein and science/medical writer Blakeslee announce sententiously that Americans ``share a profound sense of discomfort with the present state of marriage and the family, even wondering sometimes if marriage as an institution can survive.'' They go on to analyze the life habits of 50 mostly white, comfortably middle-class, well- educated couples in the San Francisco Bay Area—a group that Wallerstein admits is narrow but which she claims is socially trend-setting. The couples neatly cleave into four fuzzy categories of marriage: romantic, rescue, companionate, and traditional. When interviewed, the couples had all been married for more than nine years, had one or more children, regarded their marriage as happy, and were willing to be interviewed separately and together. Other of Wallerstein's previous studies, making use of similarly small, homogenous samples, have rightly come under attack by her peers (Newsweek, February 6, 1989) for their built-in statistical invalidity, but she has not taken their criticisms to heart. Her conclusions generally boil down to the expected: that in good marriages each partner must respect the other and let the other be his or her own person. The book is studded with such startlingly bald truisms in the place of meaningful analysis. Only occasionally do the authors hit on a useful point, as when they observe that all successful marriages, rather than being conflict-free, make allowance for ``the expression of difference, conflict, and anger'' and that an adolescent in the household is a blasting cap that can blow apart the stoutest marital fortress. One in two marriages now ends in divorce in this country, a sadly telling statistic. Regrettably, it also seems as if one in two psychology doctorates ends in a generally superficial book.
Pub Date: June 1, 1995
ISBN: 0-89919-969-0
Page Count: 384
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
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by Judith S. Wallerstein & Julia M. Lewis & Sandra Blakeslee
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
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