by Judith Sanders ‧ RELEASE DATE: N/A
This shrewd exploration of a killer’s mindset will unnerve and enthrall readers.
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A serial killer cozies up to another murderer who’s been making headlines in this psychological thriller.
Former combat medic Max Mason now works as a nurse at the Carlson Brain Injury & Rehabilitation Center in New Hampshire. He’s also a serial killer, or so he confides to comatose patient Lincoln Douglas Raider. Lincoln’s injury was a simple fall while cleaning the gutters at his house. But his identity is a lot more complicated, as many people now believe he’s the media-dubbed “Huntsman” who has killed several women. Aside from the first victim, each woman has vanished, with her heart and an apple later turning up at her front door. Max becomes obsessed with talking to Lincoln about the psychopathic inclinations they presumably share. He likewise befriends Lincoln’s wife, Jolene, who asks Max for help with her recovering husband when he finally awakens. This gives Max the chance to learn all he can about Lincoln and his twisted mentality at the couple’s farm. But notwithstanding his recurrent nightmares of hurting someone, Lincoln doesn’t apparently remember certain events before his coma. Moreover, his love for Jolene and their newborn daughter looks genuine—hardly the behavior of a killer lacking empathy. As the evidence against Lincoln is circumstantial (he has a vague tie to each victim), Max can’t help but entertain the idea that this man isn’t a murderer. Getting closer to Lincoln could get him answers, but it’s sure to be precarious, as this supposed serial killer’s mind may be unraveling.
Sanders shrouds this mystery in ambiguity, a haziness that clears up as the story progresses. Max, for example, who says little about what he’s done as a serial killer, has a specific agenda in getting next to Lincoln. In addition, “The Captive,” an unnamed woman who’s the Huntsman’s seventh and latest victim, provides an intermittent narrative perspective. It’s not easy to sympathize with the cast members, including Max, until their personalities take shape much later in the novel. But the few supporting characters shine—the Martins, Lincoln’s neighbors who believe in the man’s innocence, and Det. Darby Albright, Max’s sister, whose first murder case as a rookie cop was one of the Huntsman’s unfortunate victims. Despite allusions to serial murders and even Max’s efforts to jog Lincoln’s memory of the brutal deaths, Sanders’ novel is only moderately graphic and instead is heavy on suspense. Uncertainty over what Lincoln may or may not have done makes him all the more frightening; readers are either getting a close-up of a psychopath or no clues to who or where the real killer is. The author churns out unforgettable, sometimes scary moments, such as Max literally getting stuck in a muddy cornfield: “I attempt to stand, and my feet sink deeper. Cold spring water pools and trickles down my legs, filling my shoes and adding to my weight. I’m up to my waist in mud and freezing.” The inevitable twists in the latter half, even if largely predictable, deliver a memorable and convincing final act, with an especially strong last scene.
This shrewd exploration of a killer’s mindset will unnerve and enthrall readers.Pub Date: N/A
ISBN: N/A
Page Count: 321
Publisher: Manuscript
Review Posted Online: Oct. 11, 2022
Review Program: Kirkus Indie
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by Freida McFadden ‧ RELEASE DATE: March 3, 2026
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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