This shrewd exploration of a killer’s mindset will unnerve and enthrall readers.
A serial killer cozies up to another murderer who’s been making headlines in this psychological thriller.
Former combat medic Max Mason now works as a nurse at the Carlson Brain Injury & Rehabilitation Center in New Hampshire. He’s also a serial killer, or so he confides to comatose patient Lincoln Douglas Raider. Lincoln’s injury was a simple fall while cleaning the gutters at his house. But his identity is a lot more complicated, as many people now believe he’s the media-dubbed “Huntsman” who has killed several women. Aside from the first victim, each woman has vanished, with her heart and an apple later turning up at her front door. Max becomes obsessed with talking to Lincoln about the psychopathic inclinations they presumably share. He likewise befriends Lincoln’s wife, Jolene, who asks Max for help with her recovering husband when he finally awakens. This gives Max the chance to learn all he can about Lincoln and his twisted mentality at the couple’s farm. But notwithstanding his recurrent nightmares of hurting someone, Lincoln doesn’t apparently remember certain events before his coma. Moreover, his love for Jolene and their newborn daughter looks genuine—hardly the behavior of a killer lacking empathy. As the evidence against Lincoln is circumstantial (he has a vague tie to each victim), Max can’t help but entertain the idea that this man isn’t a murderer. Getting closer to Lincoln could get him answers, but it’s sure to be precarious, as this supposed serial killer’s mind may be unraveling.
Sanders shrouds this mystery in ambiguity, a haziness that clears up as the story progresses. Max, for example, who says little about what he’s done as a serial killer, has a specific agenda in getting next to Lincoln. In addition, “The Captive,” an unnamed woman who’s the Huntsman’s seventh and latest victim, provides an intermittent narrative perspective. It’s not easy to sympathize with the cast members, including Max, until their personalities take shape much later in the novel. But the few supporting characters shine—the Martins, Lincoln’s neighbors who believe in the man’s innocence, and Det. Darby Albright, Max’s sister, whose first murder case as a rookie cop was one of the Huntsman’s unfortunate victims. Despite allusions to serial murders and even Max’s efforts to jog Lincoln’s memory of the brutal deaths, Sanders’ novel is only moderately graphic and instead is heavy on suspense. Uncertainty over what Lincoln may or may not have done makes him all the more frightening; readers are either getting a close-up of a psychopath or no clues to who or where the real killer is. The author churns out unforgettable, sometimes scary moments, such as Max literally getting stuck in a muddy cornfield: “I attempt to stand, and my feet sink deeper. Cold spring water pools and trickles down my legs, filling my shoes and adding to my weight. I’m up to my waist in mud and freezing.” The inevitable twists in the latter half, even if largely predictable, deliver a memorable and convincing final act, with an especially strong last scene.
This shrewd exploration of a killer’s mindset will unnerve and enthrall readers.Pub Date: N/A
ISBN: N/A
Page Count: 321
Publisher: Manuscript
Review Posted Online: Oct. 11, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
SEEN & HEARD
This mystery’s promising premise bogs down in an overloaded cast.
When one woman takes on another’s identity to uncover a crime, they both become suspects in a murder.
Aubrey Price and Camille Bayliss come from different worlds, only crossing paths because of the discovery that Camille’s husband, powerful lawyer Ben Bayliss, is hiding something terrible that affects them both. As the novel opens, Aubrey is driving Camille’s Range Rover, then teetering into a bar on Camille’s high heels, with Camille’s dress and credit cards and a wig that mimics Camille’s hair, pretending to be her because Ben tracks his wife’s every move and expenditure, and Camille wants to create a smokescreen while she sneaks into his office in search of evidence of that unnamed secret. But the scheme goes awry, and the women become each other’s alibis after Camille finds Ben murdered in their home. The first part of the book builds suspense and misdirection well, with Aubrey and Ben’s straight-arrow partner, Hank Landry, serving as first-person observers in some chapters while others track Camille. She’s a wealthy and privileged woman but not a happy one, stuck under the thumbs of her husband and her tyrannical father, Randall Everett, who pretty much runs their small Louisiana town. Aubrey was orphaned as a teen when her parents died in a car crash and has proudly fended for herself ever since, coming to depend on her four roommates, who have become friends. But as the cast of characters grows, it seems as if almost everyone in town has a motive for killing Ben, and the piling up of suspects and movements among different timelines can sometimes be confusing. And it all comes to a frustrating end when, after a whole school of red herrings, the solution to Ben’s murder arrives out of far left field.
This mystery’s promising premise bogs down in an overloaded cast.Pub Date: Jan. 13, 2026
ISBN: 9780593834459
Page Count: 352
Publisher: Pamela Dorman/Viking
Review Posted Online: Dec. 10, 2025
Kirkus Reviews Issue: Jan. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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