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AN INVENTORY OF LOSSES

An exploration of extinct animals and objects told through dazzling stories that question the bounds of memory and myth.

Objects, animals, and places that no longer exist, except in our collective imagination.

Schalansky’s fifth book is a collection of beautifully constructed stories about objects that have not survived the test of time. “Being alive means experiencing loss,” Schalansky writes, and the world has experienced much loss. Animals, people, and places that once existed are now only memories due to inevitable decay, colonialism, the cleansing of records, and natural disasters. While in Schalansky’s previous book, Atlas of Remote Islands (2010), she wrote of remote havens that remain difficult to reach even with modern travel, here she depicts the animals, people, and places that are only known through what details have been recorded or remembered. From fragments of Sappho’s poems to a submerged South Pacific island, from the extinct Caspian tiger to the lost films of Friedrich Wilhelm Murnau, Schalansky brings us to the fantastical worlds of gladiator rings in ancient Rome, the ruins of a 19th-century German palace, and the surface of the moon. Tying the stories together are Schalansky’s evocative, precise descriptions and the sense of wonder in confronting the sheer immensity of what has been lost. “The world...only grieves for what it knows,” she writes. Schalansky documents her chosen objects with utmost care while relying on myth as she moves beyond what we know for fact to what we might imagine. “For myth is the highest of all realities and...the library the true theater of world events.” Schalansky’s meticulously researched stories are poignant reminders of the extent of our impact on the natural world and a call to honor the animals, objects, and places that, due to our own negligence, have ceased to exist.

An exploration of extinct animals and objects told through dazzling stories that question the bounds of memory and myth.

Pub Date: Aug. 25, 2020

ISBN: 978-0-8112-2963-0

Page Count: 224

Publisher: New Directions

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THREE DAYS IN JUNE

Sweet, sharp, and satisfying.

Their daughter’s wedding stirs up uncomfortable memories for a divorced couple.

The day before the ceremony, the bride’s mother, Gail Baines, second in command at the Ashton School in Baltimore, learns that not only has she been passed over to replace the retiring headmistress, but the new recruit is bringing her deputy with her. The lack of people skills that have cost Gail this promotion are evident even in that initial scene; she’s a classic cranky Tyler protagonist, given to blurting out her opinions with little consideration for others’ feelings. Her first-person narration also reveals her to be touchingly vulnerable, convinced that daughter Debbie, prettier and more polished than she, will inevitably prefer husband-to-be Kenneth’s overbearing, better-off parents. Although her divorce from Max was amicable, Gail considers him a bit of a slacker, and isn’t best pleased when he turns up with a rescue cat in tow and says he has to stay with her because Kenneth is horribly allergic. A startling revelation from Debbie, fresh from her pre-wedding “Day of Beauty,” immediately divides the exes, who have very different opinions about how their daughter should handle this crisis. It also leads to Gail’s revelation of the infidelity that led to their divorce, though not in the way readers might imagine. Laid-back Max is the only fully fleshed character here other than Gail, and the novel is very short, but Tyler’s touch is as delicate, her empathy for human beings and all their quirks as evident in her 25th work of fiction as it was in her first, published an astonishing 60 years ago. Gail’s acerbic observations about the wedding and all its participants, her wistful memories of her odd-couple romance with Max, and her account of their enforced intimacy over the three days surrounding the wedding alternate to poignant effect. The closing pages offer a happy ending that feels true to the characters and utterly deserved.

Sweet, sharp, and satisfying.

Pub Date: Feb. 11, 2025

ISBN: 9780593803486

Page Count: 176

Publisher: Knopf

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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