ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY

Name: ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY
Author: Judith Viorst
ISBN: 978-0-689-30072-1

by Judith Viorst illustrated by Ray Cruz ‧ RELEASE DATE: June 1, 1972

If Alexander's mother is smart to offer casual sympathy without phoney consolation, Cruz and Viorst accord readers the same...

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In the spiky spirit of Sunday Morning (1969) but more truly attuned to a child's point of view, Viorst reviews a really aggravating (if not terrible, horrible, and very bad) day in the life of a properly disgruntled kid who wakes up with gum in his hair and goes to bed after enduring lima beans for dinner and kissing on T.V.

At school, "Mrs. Dickens liked Paul's picture of sailboat better than my picture of the invisible castle," and at lunch, "guess whose mother forgot to put in dessert?" After school "my mom took us all to the dentist and Dr. Fields found a cavity just in me," and there is worse to come. It's no wonder the kid's ready to move to Australia, but in the end, "My mom says some days are like that. Even in Australia."

If Alexander's mother is smart to offer casual sympathy without phoney consolation, Cruz and Viorst accord readers the same respect. (Picture book. 3-8)

Pub Date: June 1, 1972

ISBN: 978-0-689-30072-1

Page Count: 32

Publisher: Atheneum

Review Posted Online: March 12, 2012

Kirkus Reviews Issue: Sept. 1, 1972

Categories:

CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
SING, LITTLE SACK!
adapted by Nina Jaffe & illustrated by Ray Cruz

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CARPENTER'S HELPER

by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

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A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

Categories:

CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY

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LOVE FROM THE VERY HUNGRY CATERPILLAR

by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015

Safe to creep on by.

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Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)