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by Judy Batalion ‧ RELEASE DATE: April 6, 2021
A welcome addition to the literature of the Shoah and of anti-Nazi resistance.
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Resounding history of Jewish women who fought the German invaders in World War II.
The role of women in resisting the genocidal tyranny of the Third Reich has, like so much women’s history, been less well documented than the work of their male counterparts. Batalion, the child of Holocaust survivors, notes that an early role model for her was Hannah Senesh, “one of the few female resisters in World War II not lost to history,” who was captured and executed by the Germans, refusing a blindfold and “staring at the bullet straight on.” Discovering a Yiddish book called Freuen in di Ghettos (Women in the Ghettos) that had been published immediately after the war introduced the author to many other women fighters who contributed to the Allied war effort, whether by sabotaging German supply trains, smuggling weapons, spying for Russian military intelligence, or killing errant German soldiers. A stellar example is “Renia K.,” whose story, in Batalion’s hands, is lifted “from the footnotes to the text.” Eventually captured by the Gestapo, she was asked, “Don’t you feel it’s a waste to die so young?” She responded, “As long as there are people like you in the world, I don’t want to live.” Surprisingly, she survived, although her story and those of many others were reshaped for political purposes. Those women, Batalion convincingly argues, have often been misrepresented for just those reasons. Many were politically active before the war and even militant, espousing “Zionist, socialist, and pioneer values,” and some chroniclers have been reluctant to celebrate their work because doing so might unduly judge those who did not resist, “ultimately blaming the victim.” In a vigorous narrative that draws on interviews, diaries, and other sources, Batalion delivers an objective view of past events that are too quickly being forgotten—and a story much in need of telling.
A welcome addition to the literature of the Shoah and of anti-Nazi resistance. (20 b/w photos)Pub Date: April 6, 2021
ISBN: 978-0-06-287421-4
Page Count: 560
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 23, 2020
Kirkus Reviews Issue: March 15, 2020
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
by Bob Woodward ‧ RELEASE DATE: Oct. 15, 2024
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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by Bob Woodward & Robert Costa
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