Luscious but not too sweet, astute but not too serious, Blundell's novel is a treat you don't have to feel guilty about and...
The quiet part of Eastern Long Island is invaded by the glitterati and the Twitterati—will they ruin it entirely?
"Let the billionaires have the Hamptons on the South Fork, with the shops and restaurants and parties that re-created what made them so exquisitely comfy in Manhattan. The North Fork was two ferry rides away, and it showed….It was pies and parades and stony beaches that hurt your feet, banging screen doors and peaches eaten over the sink." Blundell's (A City Tossed and Broken, 2013, etc.) latest is her first novel for adults, and she brings to it much more than just believable teen characters. As this accomplished, engrossing domestic drama begins, North Fork resident Ruthie is losing it all. An ultrarich widow is taking over both her house and her ex-husband; she's being betrayed by her staff and ousted from her job as director of a small museum; her lovely 15-year-old daughter is involved in dangerous relationships she knows nothing about. Blundell has more balls in the air than most writers could smoothly handle—a Patek Philippe watch, lost then stolen; a forged painting; a character with a deeply buried, sordid past; lots of art-world specifics—but the story never feels overstuffed, and she steers confidently toward a satisfying blend of happy and imperfect endings. A dim view of what it means to be a middle-aged woman crops up here and there, creating an interesting curmudgeonly undercurrent. Of an overweight teenage girl: "At forty-five, the iron gate of indifference would clang down...and she would know she was stuck back exactly where she was in high school as if all that sex and attention had happened to someone else." After a betrayal: "A man might feel anger right now. As a woman, she felt only shame."
Luscious but not too sweet, astute but not too serious, Blundell's novel is a treat you don't have to feel guilty about and a sign of good things to come.Pub Date: May 22, 2018
ISBN: 978-0-525-50871-7
Page Count: 416
Publisher: Random House
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
BOOK REVIEW
BOOK REVIEW
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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