Lots of galloping plot strands keep this bit of folderol racing along.
A sprightly comic tone and a North Carolina horse farm make for a bit more than just another silly romance.
Judy van Brunt, 33 and a high-school English teacher, decides that her husband Marshall’s newest affair is the last straw and takes off. First, she checks in with her sister Ruth to let her know she’s leaving (she dubs Judy “Saint Ruth of the Perfect Life,” a woman who serves “fabulous scones from a secret-source bakery whose location she was reluctant to share”). Always happiest at her weekly riding lessons, Judy takes a job as a working student for Katarina Rheinboldt, a German-born Olympic trainer, and in short order is mucking-out stalls and learning how to handle the brood mares. Newcomer Singer is at her strongest in the details of this work—the spills and tumbles in learning to ride top-level horses, the social hierarchy of the dormitory (some boarders are wealthy horsewomen, others working students like Judy), the competitive ring and the fundraisers. Judy transcends her position as groom when she attracts the attentions of Speed Easton, wealthy lawyer and horse-breeder. The two have a fling, and Judy is drawn to him until he tries to involve her in a mysterious midnight cult ritual, when she spurns him and turns to a series of spectacular but difficult horses. Her husband tracks her down and, through a series of mishaps, ends up shot to death by her dorm-mate’s daughter. They hadn’t divorced, so now Judy has money enough to buy a horse for herself. But her favorite falls on top of her, leaving her with a concussion and a broken leg. The local orthopedist, a dreamy doctor who dislikes horses, becomes her new love interest, forcing Judy to choose between her love of horses and her love of the doctor.
Lots of galloping plot strands keep this bit of folderol racing along.Pub Date: Sept. 14, 2004
ISBN: 0-7679-1851-7
Page Count: 304
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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