A specious attempt to present an inclusive view of the self-expression of creative children.
Sarabella is a quiet and contemplative young girl who doesn’t always choose to verbalize her thoughts.
Within her family, Sarabella’s parents and older sister are all creatives of various stripes. (All are pale-skinned; Sarabella and her father have black hair, while her mother and sister have brown.) They love and understand Sarabella as she is. However, at school, her teacher is concerned. He feels that Sarabella should daydream less and articulate more. He assigns the class a project in which students draw their favorite thoughts. This inspires Sarabella to share her ideas in a novel way that is truly fitting for her. Visually, the book is often quite stunning, with Sarabella’s thoughts sweeping across the pages as colorful and multitextured collages of images and words. However, the story’s message that creative children may express themselves differently than others is dampened by its presentation as a problem to be solved. Sarabella sometimes needs extra time to complete her assignments, but her meandering mind doesn’t seem to be negatively affecting her learning or her ability to connect with others. This makes her teacher’s concern come across as simply a desire for conformity in the classroom. Additionally, when Sarabella stays up all night to complete her assignment, her effort reads more as a response to pressure than a truly joyful inspiration.
A specious attempt to present an inclusive view of the self-expression of creative children. (Picture book. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-525-42918-0
Page Count: 32
Publisher: Dial Books
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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