Any adult who has ever read to a group of preschoolers will grin with delight over these familiar antics, and regular...
Link nursery rhymes with storytimes, add animal characters and whimsical illustrations, and voilà: a rollicking, rhyming story.
It opens with: “Make way for the readers, / the riders, the rollers, / arriving in backpacks, / on bikes, and in strollers.” Assorted animals parade up to the gate adorned with the sign “Miss Bingo Storytime.” Miss Bingo is a singing flamingo who shares tales of kittens with mittens, Miss Muffet and her tuffet, and other favorite rhymes. The group raps to “The Cat and the Fiddle,” and Miss Bingo honks for the little ones to stretch high and low during a break. Oh no! The crocodile accidentally treads on mouse Annabelle’s toe. She makes a fuss, and storytime stops—until fox Rory reads her a slightly altered Mother Goose rhyme (“Annabelle Mousey-kin ran up the clock”). The colored-pencil illustrations have just the right amount of whimsy to fully entertain readers, who will love spotting familiar favorites in Miss Bingo’s backyard library. Miss Bingo wears a green dress, red eyeglasses on a pearl neck chain, and a jazzy green boater hat, and the other animals are just as jauntily attired. In particular, Rufus, the clumsy croc, sports a black tank top and red ball cap worn backward.
Any adult who has ever read to a group of preschoolers will grin with delight over these familiar antics, and regular storytimers will enjoy seeing this favorite activity depicted . (Picture book. 4-8)Pub Date: July 5, 2015
ISBN: 978-1-4814-1851-5
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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