Written in sumptuous prose, Kim’s novel is a feast for the senses.
Riveting novel of a prima ballerina’s tumultuous rise, fall, and potential return.
Kim’s bold second novel propels the reader into the competitive world of contemporary Russian ballet. The book begins with a crisis: Former prima ballerina Natalia Leonova is a mess. Addicted to pain meds and sleeping pills—which she’s washing down with vodka—Natalia has returned home to St. Petersburg to attempt a comeback. A disastrous accident has prematurely ended her star turn at the Paris Opéra, but even worse than the injuries to her feet are her psychic wounds and loss of confidence. As Natalia struggles during rehearsals, she reminisces about her past as a protégé of the famed Mariinsky Ballet school and company. The reader is plunged into the rivalries between dancers, lovers, friends, and even nations as Natalia rises through the ranks. Although born into poverty and raised by a single mother, Natalia has an extraordinary gift: She can jump higher than any other ballerina. Reflecting on her audition, Natalia recalls, “It was the force of all I’d been suppressing; I felt like I could reach my hands and tap the ceiling if I wished. The board members were now pointing in my direction. Murmurs and gasps. That’s a jumper. I sprang even higher.” Kim weaves in plot threads involving the Russian invasion of Ukraine, the tabloid press, and celebrity parties, as well as complications related to various expressions of sexual desire to show that no form of art can exist separately from the complexity of life. At times Natalia seems extremely naïve about the ways of the world outside ballet; refreshingly, the novel never punishes her for her excellence or her ambition. This is another brilliant page-turner from Kim, whose first novel, Beasts of a Little Land (2021), was a finalist for the Dayton Literary Peace Prize.
Written in sumptuous prose, Kim’s novel is a feast for the senses.Pub Date: Nov. 26, 2024
ISBN: 9780063394759
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
BOOK REVIEW
PERSPECTIVES
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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