Clear, readable translation of a minor but prescient adventure novel, with useful annotations, a brief Verne biography, and...
The revival for the French father of science fiction that began with the discovery of his unpublished Paris in the Twentieth Century (1996) continues with the first English translation of this short novel, the last Verne (1828–1905) published during his lifetime. Though famous for a handful of tales about visionary eccentrics and their technological triumphs, Verne wrote more than 60 from 1863 to 1919: some were altered by his son Michel; most, according to editor Evans (French/DePauw University) have been either badly translated, or not translated at all, and, hence, unknown to Verne's English-speaking admirers. The Invasion of the Sea, the first in what will be a series of reprints in Wesleyan's Early Classics of Science Fiction, imagines that a canal project has transformed a vast portion of the Tunisian Sahara into an inland sea. While noting the sea's positive effects on French Colonial trade, Verne, still an uncanny seer of our future, finds a villain in Hadjar, a wily Berber warlord. Having previously been content to raid camel caravans and slaughter European explorers, as his ancestors had done for centuries, Hadjar correctly views the inland sea as a threat to his brutal way of life, and turns his ragtag gang of henchmen into a band of terrorists. Journalistic explorations of North Africa and wide-eyed discourse about technology are paced with action scenes as the resourceful French Captain Hardigan tries to stop Hadjar and bring him to justice. Verne, somewhat more cynical here than in his earlier works, ends with a biblical-style catastrophe, suggesting that antimodern fanaticism might be a harder problem than making the desert bloom.
Clear, readable translation of a minor but prescient adventure novel, with useful annotations, a brief Verne biography, and 44 b&w illustrations from the original French edition.Pub Date: Jan. 1, 2001
ISBN: 0-8195-6465-6
Page Count: 280
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2001
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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