Interesting philosophically and geopolitically, and a window on a world a hundred years gone: a distinctive tale still has...
Nearly a century after his death, five “lost” manuscripts of Verne are part of the SF master’s return to active publication (Invasion of the Sea, The Mysterious Island, both 2002).
This latest, first published in French in 1909 after being massively rewritten by Verne’s son Michel and now stripped to its original spare form, is an unabashedly speculative novel of civilization and nationhood, and a powerful man who yearns to be free from both. In Magellania, the archipelago forming the southernmost reach of South America, a primal scene occurs: a native stalks a wild guanaco and is pounced on by a jaguar, which is then shot by a mysterious but revered European, Kaw-djer, who arrived in the islands some years before. Kaw-djer takes the mauled native back to the man’s village in his longboat, but the man dies before they arrive. Saddened, Kaw-djer returns to the home on another island that he shares with the native channel pilot Karroly and his son, while the narrator explains the status of Magellania in the 1880s: territory as yet unclaimed by any nation, which is why Kaw-djer, who lives by the dictum “Neither God nor master,” has settled there. Unfortunately, Chile and Argentina soon lay claim to the region, and Kaw-djer, with nowhere else to go, in a gathering storm steers his boat to the island forming the southern tip of the archipelago, intending to throw himself into the sea. But a ship in distress gives him pause, and he and Karroly do what they can to save it; disabled and dismasted, it finally wrecks on a more sheltered island, where its cargo of hundreds of emigrants on their way to South Africa is mostly saved. The emigrants, from the US and Europe, winter over on the island, and, later, when a Chilean emissary offers to give the island to them if they’ll settle on it, they accept. Kaw-djer now has a place to remain free—but at a price.
Interesting philosophically and geopolitically, and a window on a world a hundred years gone: a distinctive tale still has the power to charm and provoke.Pub Date: May 1, 2001
ISBN: 1-56649-179-7
Page Count: 208
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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