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CRAPSHOOT

Name: CRAPSHOOT
Author: Jules Witcover
ISBN: 0-517-58480-8

ROLLING THE DICE ON THE VICE PRESIDENCY

by Jules Witcover ‧ RELEASE DATE: Feb. 1, 1992

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From John Adams to Dan Quayle, the vice-presidency seems the best refutation of the theory of evolution. Or so, at least, does it appear in this brisk if superficial history from syndicated- columnist Witcover (coauthor, Whose Broad Stripes and Bright Stars?, 1989; Wake Us When It's Over, 1985, etc.). Three-quarters of this account covers the post-Truman years, partly because of Witcover's belief that the vice-presidency became a much more perilous office in the nuclear age, partly because he apparently finds contemporary affairs more congenial than distant history. Notwithstanding attempts through the 12th and 25th Amendments to correct potential dangers in selecting a running mate, and notwithstanding heavier policy involvement by Walter Mondale, George Bush, and Quayle, ticket-balancing considerations and sheer human folly, the author finds, have subverted the Founding Fathers' hope that the vice-president would be the second most qualified person to lead the republic. Witcover shows how party presidential nominees—including those once a heartbeat away from the Oval Office themselves—have played games with running mates: either ``surprise the electorate'' (the selection of Quayle and Spiro Agnew) or, when elected, ``humiliate the V.P.'' (the fate of Nixon, LBJ, and Humphrey). The author makes the telling point that, unlike the Alexander Throttlebottoms who languished in the office during the 19th century, five of the last nine presidents have served as vice-president. Yet, given the history of the office, Witcover's call for greater consideration of running mates is entirely predictable, as is his hand-wringing over Quayle. More welcome are the nuggets of inside information he serves up, such as why Gerald Ford picked Nelson Rockefeller as V.P. over party- favorite Bush (even then, Witcover says, many believed that Bush lacked ``the vision thing''). Horror, farce, and tragedy—in one vivid, if not particularly enlightening, package.

Pub Date: Feb. 1, 1992

ISBN: 0-517-58480-8

Page Count: 480

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1991

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE AMERICAN VICE PRESIDENCY
by Jules Witcover

- BOOK REVIEW
THE MAKING OF AN INK-STAINED WRETCH
by Jules Witcover

- BOOK REVIEW
PARTY OF THE PEOPLE
by Jules Witcover

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.