SHANGHAILANDERS

Follow an ultrarich Shanghai family backward in time from 2040 to 2014.

Min opens her intriguing novel-in-stories with “A True Shanghai Man, January 2040”: paterfamilias Leo Yang has just dropped his wife, Eko, and two older daughters, Yumi and Yoko, at the airport and is returning home on a high-speed train to teenage Kiko, the baby of the family. The older girls are returning to boarding school and college in Boston. The narrative will move forward from this moment only once, in the second story, “Rouge Allure, January 2040,” which follows Eko and the girls to Boston and then on to Paris, where French Japanese Eko grew up, then down to Nice, where Eko’s mother lives in a high-rise retirement community. From there, the stories visit earlier time periods. In “Moshi Moshi Marilyn Monroe, September 2039,” we learn that Baby Kiko, as she is called in the family, is definitely no baby anymore. “In the Time of Period Trees, September 2038” fills in a lot of detail about the relationship between Yumi and Yoko and introduces a few plot points that are clarified in stories that go even further into the past. What does it mean that Kiko “blames” Yoko for Lucy? What is the in-joke with her father behind the ball of gold string on her desk at school? Answers to questions like these create a sense of unfolding that balances the disappointment one might feel about leaving the latest versions of the Yangs, and their interesting problems, behind. Some stories focus on characters tangential to the family—their driver participates in a 2030s phenomenon called night races, and a very strong story called “The Girl of My Heart, February 2020,” touches on the pandemic and explores the life of the ayi (nanny) character we’ve heard about before she came to the Yangs. The prose and characterizations here and throughout are assured, particularly for a debut.

An unusual and immersive reading experience.