Though genre purists will find Zeh's (Eagles and Angels, 2003) bold use of coincidence nothing short of monstrous, readers...
A scholarly dispute over the nature of the universe erupts in kidnapping and murder in this gripping, high-toned philosophical thriller.
Ever since they were in school together, studying physics under the tutelage of the improbably nicknamed Little Red Riding Hood, Sebastian and Oskar have held fundamentally different views of the world. Oskar, now a big-shot physicist in Geneva who preaches the single-answer theory that holds that things are as they are and not otherwise, is chasing the Nobel Prize through his labors to unite quantum physics with the general theory of relativity. Sebastian, an experimental nanotechnologist at the University of Freiburg, is a proponent of the Many-Worlds Interpretation in which the Big Bang engendered countless parallel universes where things can both be and not be the case at the same time. When Sebastian married Maike, an artists' agent and gallery owner, Oskar made no secret of his verdict that Sebastian was settling for a consolation prize. Now that their son Liam is ten years old, he sneers that everything on earth that matters to Sebastian bears his surname. The day after Sebastian accepts Oskar's challenge to debate their positions on a live TV program broadcast from Mainz, he's driving Liam to camp when his car disappears with his sleeping son inside. By the time the empty car is returned, Sebastian has received a ransom demand that names a horrific price. Even after he complies with the kidnappers' demand and feels that the catastrophe has passed, his life enters a precipitous free fall that tangles his fate with that of dour murder-squad detective Rita Skura and her old mentor, Detective Chief Superintendent Schilf, who's teetering on the edge of death and love.
Though genre purists will find Zeh's (Eagles and Angels, 2003) bold use of coincidence nothing short of monstrous, readers who can surrender to her radical rewriting of the rules of detective fiction and the physical universe will find it revelatory.Pub Date: April 13, 2010
ISBN: 978-0-385-52642-5
Page Count: 400
Publisher: Nan A. Talese
Review Posted Online: March 10, 2011
Kirkus Reviews Issue: Feb. 15, 2010
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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