Three queer sisters, one dead father, and a fraught inheritance in a flooded city at the end of the world.
“People think it’s just hellfire and brimstone, four horseman and out, but actually the end times go on and on and on,” remarks Irene Carmichael with regard to the Book of Revelation, and Armfield’s third novel seems to have taken a leaf from it, though she and her quarrelsome sisters also have a foot in King Lear. Isla, Irene, and their half sister, Agnes, are the daughters of famous, and famously nasty, architect Stephen Carmichael, known for daring structures custom-built for the partially underwater environment. As the novel opens, he has died, and the estranged sisters have reluctantly gathered to figure out how they can get to the hospital to view his body. With most modes of transport washed out, unreliable ferries that depart from randomly placed jetties are the main way to get around. While the three women have difficult personalities on their own, their father exacerbated their troubles both during his life and after his death with disbursements and bequeathals structured to pit them against each other. Meanwhile, Isla, a therapist, continues to see patients, though her wife has left her to explore communities outside the city. Irene has lost heart for her advanced studies in Christian theology, but her partner, Jude, keeps an even keel, cooking pasta dinners and “focusing solely on what’s going on right in front of them, as if everything else is irrelevant and incapable of causing them harm.” Agnes, a cranky barista, makes cappuccinos and writes the wrong names on them on purpose. Armfield garnered lots of love from literary horror fans with her debut novel, Our Wives Under the Sea (2022): These readers will surely relish her impressive post-climate-catastrophe vision (horror tropes included). For some readers, however, the unhappy sisters and their ruined planet will be oppressive. When at one point a peripheral character develops a penchant for “miserabilist literature,” one thinks of recommending the very book he appears in.
Character-driven speculative fiction with strong worldbuilding and fine writing.