Illuminating reading.
A biographer and historian introduces a singular woman who helped sustain blacklisted writers and directors during the McCarthy era.
Hannah Weinstein (1911-1984) had a profound but largely underestimated influence on 1950s TV. The daughter of progressive Jewish parents, Weinstein became a campaigner for prominent New York City Democrats during the 1930s. Later she became a strategist for a public relations firm and came into contact with socialist groups, which made her appear, by association, to be part of the supposed internal communist threat to American democracy. She went on to work with many left-leaning Hollywood celebrities, many of whom she brought together in an organization called the Independent Citizens Committee for the Arts, Science and Professions. When the House Un-American Activities Committee began investigating members of the entertainment industry for subversion in the late 1940s, Weinstein formed committees to help the artists who became HUAC targets. Weinstein eventually came under investigation by the FBI and left the U.S. for England in 1950. In London, she launched a TV production firm called Sapphire Films. Over the next decade, her company covertly employed dozens of blacklisted writers, including Ring Lardner, and directors who transformed Sapphire Films projects—e.g., the British and American TV hit The Adventures of Robin Hood—into “thinly veiled commentary on the plight of the blacklisted writers and McCarthy hysteria in general.” The strength of this well-researched book lies in the abundance of information it provides about Weinstein’s contributions to the often entangled worlds of entertainment and politics. However, those same details—like those pertaining to the many colorful actors and directors who came into the Sapphire Films orbit—occasionally detract from Weinstein’s story. Still, readers seeking to understand the McCarthy era and how it resonates today, as well as those interested in women working at the intersection of media and politics, will find this book of interest.
Illuminating reading.Pub Date: Sept. 1, 2023
ISBN: 9781493061877
Page Count: 224
Publisher: Lyons Press
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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