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RUINSONG

Despite uneven craft, readers looking for inclusive Sapphic fantasy will be pleased to find this.

Two young women shift from childhood friends to enemies to lovers.

In Cavalia, cruel Queen Elene has complete control of her population. Cadence is a corporeal mage; weaving spells through song, she can manipulate others’ bodies for healing, pleasure, or pain. This is Cadence’s first year as the Principal in the Performing, an annual event during which sadistic Elene forces singers to torture the kingdom’s nobles. Noble Remi is Cadence’s estranged childhood friend, attending the Performing in place of her chronically ill mother. Through a series of chance encounters, the teens reconnect. When Elene discovers their relationship, she forces Remi to become a prisoner/companion to Cadence to manipulate them both. As their fates become more intertwined, both Cadence and Remi must decide how far their feelings for each other go and what they’re willing to sacrifice to unseat the powerful queen. Both girls’ alternating first-person narrations often read like exposition, and occasionally repetitive background information feels underutilized. The setting—which evokes 19th-century Europe—sometimes clashes with more contemporary vocabulary. Uneven pacing slowly builds before racing to the finish. Descriptions of violence committed by corporeal mages are graphic but not gratuitous. Cadence, Remi, and Elene are White; diversity is woven into the text through Black background characters, Remi’s body positivity, Cadence’s dyslexia, and sign language.

Despite uneven craft, readers looking for inclusive Sapphic fantasy will be pleased to find this. (Historical fantasy. 14-18)

Pub Date: Nov. 24, 2020

ISBN: 978-0-374-31335-7

Page Count: 368

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 13, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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