by Julia Finley Mosca ; illustrated by Daniel Rieley ‧ RELEASE DATE: Sept. 4, 2018
A fun read and an uplifting story.
The true story of an African-American woman who broke barriers by reaching her potential as an engineer.
When Raye Montague saw a submarine at age 7 and learned that an engineer had built it, she found her calling. Her mother told her to stay strong and not let those who looked down on her because of her race and her gender hold her back. She attended segregated schools, and in college she was told that engineering was not taught to black students, so she majored in business. She became a typist in a place where they built submarines, and although her boss underestimated her, Raye paid attention at work and took classes at night. When the flu had most of the staff out sick, Raye did the engineers’ work “from MEMORY.” She got promoted and went on to design the first ship by computer. It was not all smooth sailing, though; only white men were invited to the unveiling of the ship she had designed, and she was still treated with disrespect. The use of perspective and artful composition in the simple illustrations conveys Montague’s isolation and her determination. The text, in light rhyming verse, condemns the unfair treatment she received (“No invite?! / ABHORRIBLE!”)—a great model for building awareness of racism and solid inspiration for achieving against the odds. The author interviewed Montague for her research, and further information culled from the conversation appears in the backmatter.
A fun read and an uplifting story. (timeline, biographical note, bibliography) (Picture book/biography. 4-8)Pub Date: Sept. 4, 2018
ISBN: 978-1-943147-42-7
Page Count: 40
Publisher: The Innovation Press
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Julia Finley Mosca ; illustrated by Daniel Rieley
by Ruby Bridges ; illustrated by Nikkolas Smith ‧ RELEASE DATE: Sept. 6, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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by Ruby Bridges ; illustrated by John Jay Cabuay
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PERSPECTIVES
by Shelley Rotner ; photographed by Shelley Rotner ‧ RELEASE DATE: Oct. 16, 2018
A solid addition to Rotner’s seasonal series. Bring on summer.
Rotner follows up her celebrations of spring and autumn with this look at all things winter.
Beginning with the signs that winter is coming—bare trees, shorter days, colder temperatures—Rotner eases readers into the season. People light fires and sing songs on the solstice, trees and plants stop growing, and shadows grow long. Ice starts to form on bodies of water and windows. When the snow flies, the fun begins—bundle up and then build forts, make snowballs and snowmen (with eyebrows!), sled, ski (nordic is pictured), skate, snowshoe, snowboard, drink hot chocolate. Animals adapt to the cold as well. “Birds grow more feathers” (there’s nothing about fluffing and air insulation) and mammals, more hair. They have to search for food, and Rotner discusses how many make or find shelter, slow down, hibernate, or go underground or underwater to stay warm. One page talks about celebrating holidays with lights and decorations. The photos show a lit menorah, an outdoor deciduous tree covered in huge Christmas bulbs, a girl next to a Chinese dragon head, a boy with lit luminarias, and some fireworks. The final spread shows signs of the season’s shift to spring. Rotner’s photos, as always, are a big draw. The children are a marvelous mix of cultures and races, and all show their clear delight with winter.
A solid addition to Rotner’s seasonal series. Bring on summer. (Informational picture book. 4-7)Pub Date: Oct. 16, 2018
ISBN: 978-0-8234-3976-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Shelley Rotner ; photographed by Shelley Rotner
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by Gwen Agna & Shelley Rotner ; photographed by Shelley Rotner
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