This is a fitting tribute to the man who brought boldness and emotional depth to children’s literature: vivid without being...
The sudden death of a successful children’s author leaves the survivors to grapple with his legacy and consider the secrets we all keep in this radiant latest from Glass (And the Dark Sacred Night, 2014, etc.).
Yes, that famous gay artist bears a striking resemblance to Maurice Sendak, but Glass has been inspired rather than constrained by her prototype. Mort Lear is an original creation, still very much a presence in the novel as it unfolds following his accidental fall from the roof of his Connecticut home. Morty has unexpectedly named longtime live-in assistant Tomasina Daulair his heir and literary executor; he has also vindictively reneged on his promise to bequeath his archives to a New York museum. In addition to this embarrassment, Tommy must deal with the previously scheduled visit of Nicholas Greene, a newly minted movie star about to play Morty in a film. The deftly structured plot centers around that visit and its disruption by the arrival of Meredith Galarza, the jilted museum’s director, and Tommy’s resentful brother, Dani, who as a boy was the unwitting model for Morty’s drawings of Ivo, protagonist of “the book that launched Lear like a NASA space shot.” We also learn that Morty had confided to Nick a startling revelation of childhood trauma even more twisted than the story he publicly told of abuse by an older man. But Glass doesn’t perpetuate the stereotype of tortured, exploitative genius; she gently explores the complex ways an artist transmutes and transcends his personal history in his work as well as the decisions people around him must make about how much they are willing to subordinate their lives to the needs of someone more gifted and driven. It’s typical of the warmhearted Glass that her conclusion finds room for compromise and mutual fulfillment among her full-bodied, compassionately rendered characters.
This is a fitting tribute to the man who brought boldness and emotional depth to children’s literature: vivid without being simplistic, as grippingly readable as it is thoughtful.Pub Date: June 13, 2017
ISBN: 978-1-101-87036-5
Page Count: 368
Publisher: Pantheon
Review Posted Online: March 11, 2017
Kirkus Reviews Issue: March 15, 2017
PROFILES
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
