An engrossing, comprehensive overview of sustainable manufacturing and recycling and the challenges to expanding their...
An engineer explains how to make products less toxic and more sustainable.
In this debut science book, Goldstein takes readers into the realms of manufacturing and recycling to explore how things—particularly consumer goods—are made, how the process can be improved, and what happens when they move into the recycling system. Capsule portraits of entrepreneurs involved in different aspects of sustainable manufacturing (a project manager who maintains a database of construction materials and their ingredients, a distributor of compostable flatware and packaging) appear throughout. These are woven into a narrative that includes a concise history of plastics from Bakelite to the present; Nike’s shift toward corporate social responsibility; and a visit to a steel plant. The book does a particularly good job explaining the complicated world of recycling, where both economics and feasibility limit the materials that can be productively broken down and reused. That section concludes with examples of cutting-edge techniques that offer new recycling possibilities. Goldstein frequently refers to earlier works on the subject, showing how sustainable manufacturing has evolved over the past decade. And she makes a compelling case for its eventual mainstream viability, drawing connections between lean manufacturing strategies and a more efficient use of raw materials, for instance. The book is well-written, with enough detailed information to engage knowledgeable readers but without technical jargon or minutiae that might overwhelm a novice. The tone is casual and intimate (“It’s great to have flatware that composts, but not if it falls apart when we’re using it”), and the author often uses her own experiences as a source of examples and anecdotes. While the volume maintains an upbeat perspective, Goldstein acknowledges the challenges of bringing sustainability to the manufacturing process and offers a candid evaluation of the effectiveness of each technology discussed. Readers will be left with the sense that although sustainability is not an easy feature to add to the manufacturing process, it is indeed possible to do so with both ecological and financial benefits.
An engrossing, comprehensive overview of sustainable manufacturing and recycling and the challenges to expanding their adoption.Pub Date: April 22, 2019
ISBN: 978-0-9995956-1-9
Page Count: 240
Publisher: Bebo Press
Review Posted Online: April 2, 2019
Kirkus Reviews Issue: May 1, 2019
Review Program: Kirkus Indie
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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