by Julia Hansson ; illustrated by Julia Hansson ; translated by B.J. Woodstein ‧ RELEASE DATE: May 16, 2023
A simple yet wonderfully satisfying escapade.
A girl and her dog go on an afternoon adventure.
Billie, a sturdy, brown-skinned child, and her rotund dog, Bean, set out for a stroll around the block while Mom is off doing laundry. Billie’s been out with Bean before—with Mom watching from the window. On her own now, Billie takes in the sights and sounds. As Bean scarfs up a bit of ice cream on the sidewalk, a kindly mother asks Billie her dog’s name. When Bean leads the pair into a small park to poo (“Billie has a bag”), they dance among the flowers and trees. But when they leave, the street looks unfamiliar. An aerial view of the city, a sea gull flying by, shows a brightly colored collection of tidy buildings. It’s complicated but not entirely scary, but Billie is in tears. Bean sets off with her in tow—and suddenly there is the familiar street and blue doorway and even a banana peel from an earlier scene. The image of the pair back in the cozy apartment, napping, flat out on the floor, is sweet, as is the hug from Mom (who is brown-skinned) when she returns. Hansson has a gift for showing us the world as experienced from the perspective of a small child. Her crisp linework, gentle, bright palette, and matter-of-fact text, translated from Swedish, are delightful, portraying a little one’s first forays into independence, joys, fears, and all. (This book was reviewed digitally.)
A simple yet wonderfully satisfying escapade. (Picture book. 2-6)Pub Date: May 16, 2023
ISBN: 9781459834446
Page Count: 32
Publisher: Orca
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
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by Julia Hansson ; illustrated by Julia Hansson ; translated by B.J. Woodstein
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Jonathan Stutzman ; illustrated by Elizabeth Lilly
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