Next book

WE ARE ALL THE SAME IN THE DARK

An exciting though flawed thriller of lost girls and buried trauma in small-town Texas.

The discovery of a mute girl by the side of the road sparks new interest in an old mystery.

It’s been 10 years since Trumanell Branson and her father disappeared from their small Texas town one strange night. The only potential witness, Trumanell’s younger brother, Wyatt, spent years in a mental institution afterward, and his girlfriend, Odette—the police chief’s daughter—was involved in a horrible car accident that took her leg that same night. Now Odette is a police officer herself and determined to figure out what happened to Trumanell, even if it costs her her marriage. Everyone in town thinks Wyatt killed his sister and got away with it, especially with the recent release of a documentary implicating him, so when he finds a mute teenager in trouble one day and brings her home, Odette has to work as a friend, not a cop, to figure out what really happened to both this girl and Trumanell before the town turns on Wyatt again. Hints of past trauma haunt this book, which does an excellent job of dealing with what real life looks like for an amputee, as Odette has lost her leg and the teenager has lost an eye. What isn’t so clear is what Heaberlin, a former journalist, wants to say about the idea of the lost girl in crime fiction, especially with the twist the novel takes halfway through. While there are nuggets of fresh ideas, the themes get a bit muddled. There are, however, interesting twists and turns in the narrative that will carry the reader along. The destination might not be wholly satisfying, but the ride is fun.

An exciting though flawed thriller of lost girls and buried trauma in small-town Texas.

Pub Date: Aug. 11, 2020

ISBN: 978-0-525-62167-6

Page Count: 352

Publisher: Ballantine

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

Next book

A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Next book

CLIVE CUSSLER GHOST SOLDIER

Exciting adventure that’s worthy of the Cussler name.

The Oregon crew takes on a villain who bears a long-festering grudge.

In 1945, a captured American soldier unwillingly took part in a ghastly experiment. In the current day, a malign force has built on that research and plans to wreak unholy vengeance on Guam and, ultimately, on the United States. A mysterious, much-feared man called the Vendor, an arms purveyor whose increasingly dangerous weapons have just slaughtered soldiers in Niger, is testing his killing craft in the Indian Ocean. The Vendor’s reach extends as far as Kosovo and the Celebes Sea off the Philippines, where North Koreans try out some of his handiwork. Luckily, a modest-looking cargo ship plies the seas. It’s the Oregon, with all the internal wizardry one might wish for. It has a Cray computer, Cordon Bleu–trained chefs, and plenty of amenities to keep a top-notch crew dedicated. The seawater-powered ship can even change its outward appearance to disguise itself as the lowliest third-world rust bucket. In charge of this marvel is Juan Cabrillo, the protagonist. The crew of the Oregon are independent contractors and undertake an urgent mission from the CIA to investigate arms trafficking by the Taliban. That leads to an inevitable collision with the Vendor, whose tentacles reach far and wide. This might spell the end for Cabrillo because the Vendor “had proven himself unequaled in unarmed combat.” The Oregon Files series is always fun, and this episode is no exception. Cabrillo is a terrific leader in top physical shape, but he and the ship itself are tested to their limits. Of course, some of Oregon’s features beggar belief, but never you mind. They fit in well with the now-and-then over-the-top writing: “A giant piece of red-hot aluminum sliced through Juan’s fragile canopy like a drunken samurai’s katana through a rice-paper wall.” It’s hard to read a simile like that and not stop and smile. And in the same action sequence, the hero hits an object “like a speeding hockey forward cross-checking a parked Zamboni.” Ouch. It all “hurt like the dickens,” which is about as salty as the language gets.

Exciting adventure that’s worthy of the Cussler name.

Pub Date: Sept. 3, 2024

ISBN: 9780593719244

Page Count: 416

Publisher: Putnam

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

Close Quickview