A bold and brilliant modern fable of sisterhood, class, and our relationship to the natural world.
In the San Juan Islands off Washington state, two sisters, bonded in the care of their dying mother, are divided by their reaction to a wildlife intruder.
Phillips’ follow-up to her acclaimed debut, Disappearing Earth (2019), again concerns a pair of sisters in a gorgeously evoked, off-the-beaten-track setting, this time with a close focus on the complicated psychology of the sibling relationship. Elena and Sam’s beautiful mother was “an orphan with two toddlers by the time she was twenty-five” and now, not long past her 50th birthday, is dying of causes related to inhaling solvents at the nail salon where she worked. Her daughters toil at the golf club restaurant and in the snack bar on the ferry; their plan is to make ends meet until their mother dies, then sell their house and the valuable land it occupies and leave the island. Phillips opens the novel with an excerpt from the fairy tale “Snow-White and Rose-Red” by the Brothers Grimm: “‘Poor bear,’ said the mother, ‘lie down by the fire, only take care that you do not burn your coat.’” This welcoming response to a wild creature is reflected in Elena’s reaction to a huge bear that shows up outside their front door one day, probably the same one Sam just spied from the deck of the ferry, swimming the channel. Unlike her older sister, Sam is terrified of the creature, and all the more so as Elena begins to feed and court him as a wilderness pet, imagining the bear as a magical lucky charm in their dreary lives. In Sam, her flawed and fascinating point-of-view character, Phillips flexes her writerly finesse and insight, creating a postadolescent working-class heroine full of resentment at all the monied people surrounding her, deeply dependent on her sister, and suspicious of everyone else. The division between the sisters is sharpened by secrets and past trauma that emerge slowly, then explode.
A bold and brilliant modern fable of sisterhood, class, and our relationship to the natural world.Pub Date: June 25, 2024
ISBN: 9780525520436
Page Count: 304
Publisher: Hogarth
Review Posted Online: May 24, 2024
Kirkus Reviews Issue: July 1, 2024
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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