A well-documented and frightening assessment of America’s fraught relationship with science.
Soplop surveys the dangers of scientific illiteracy and disinformation in this nonfiction book.
In 2020, the United States experienced both the Covid-19 pandemic and record-setting wildfires on the West Coast that destroyed over four million acres. The nation’s “fumbled” responses to both crises, per the author, stem from a “complicated relationship” with scientific information that “has prevented us from digesting and adequately confronting many of the greatest problems of our time.” There is plenty of blame to go around, Soplop asserts, including the rise of social media and “fake news,” which have been effectively exploited by politicians like Donald Trump, and the embrace of postmodernism by academic liberals in the 1970s and 1980s, which deemphasized “objective truth” in favor of “subjectivity.” Divided into four parts, the book begins with a history of science that transitions into conversations about the nature of evidence (emphasizing that not all evidence is “equal”) and how scientists reach a consensus. Parts two and three explore how rampant anti-scientific thought continues to persist into the 21st century. The topics discussed here include not only hot-button, politicized issues like masks, vaccines, and climate change, but also the popularity of “pseudoscience” in the burgeoning wellness industry, whose bevy of products, from essential oils to supplements, fails to stand up to basic scientific inquiry. While much of the book offers a grim portrait of the current state of education and information literacy, it ends with an optimistic appraisal of the promise that scientific methodology offers to solving the major problems of our era and combatting disinformation. To this end, the book’s appendix features a handbook for “Becoming a More Discerning and Less Vulnerable Consumer of Science News and Information.” As a science writer with a graduate degree in medical journalism from the University of North Carolina at Chapel Hill whose work has appeared in National Geographic, Soplop balances her convincing research (which is backed by over 900 endnotes) with an accessible writing style geared toward readers unfamiliar with scientific scholarship.
A well-documented and frightening assessment of America’s fraught relationship with science.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Jan. 30, 2024
Review Program: Kirkus Indie
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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