A first collection of ten thematically linked stories, each of which deals with Britain's experience of France, from a sophisticated observer of both countries. Barnes's Francophilia has previously found expression in such novels as Flaubert's Parrot (1985) and Talking It Over (1991). The stories range widely, from a hauntingly dramatic tale of the persecution of a 17th-century village's forbidden religious practices ("Dragons") to a discursive medley of memories (in "Tunnel") indulged during a train ride to Paris in the year 2015 by the elderly English writer to whom we've been listening for longer than we'd suspected. The latter piece demonstrates the signal weaknesses of Barnes's fiction: a tendency to overload frail narrative situations with extravagant quantities of specific information (in this case, about the history, commerce, literature, viticulture, and Lord knows what-an-else of la belle France), and a self-conscious density of aper‡u and epigram so oppressive that the book fairly grows heavy in your hands. Such ostentation reduces to trivia a promising tale ("Experiment") about a stuffy Englishman's "undeserved entr‚e to the Surrealist circle" and a snappish satire on literary conferences ("Gnossienne")—and, conversely, swells to shapelessness the narrative of a cricketer whose visits to France climax in the unhappy year of 1789 ("Melon") and an otherwise strongly imagined and beautifully structured story ("Junction") about the building of the Rouen and Le Havre Railway. The better stories—often very good indeed—include a wry account of two unmarried English ladies relocated in the French countryside and struggling to operate a vineyard ("Hermitage"); a compassionate (though overextended) portrayal of a lonely Jewish woman who mourns for many decades afterward the death of her brother on the Somme battlefields ("Evermore"); and the superbly witty "Interference," which describes with delicious comic detail the final days of a vain and waspish English composer in the adopted country that good-naturedly attempts to tolerate him. A very uneven display of this very skillful author's obvious talents.
Pub Date: March 25, 1996
ISBN: 0-679-44691-5
Page Count: 224
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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