An engaging if slight tale of intellectual romance.
A man processes his crush on a former teacher and the impact of what she taught.
Late-period Barnes novels have either been tales of doomed love (The Only Story, 2018) or intellectual persecution (The Noise of Time, 2016). This slim, contemplative, modestly successful novel blends those two themes. The Elizabeth of the title is a professor teaching a continuing education class called Culture and Civilisation, with a particular focus on the conflict between Greco-Roman and Christian philosophy. Neil, the narrator, is her eager pupil, entranced by her intellectual rigor and self-possession. What kind of past and inner life produced, as he puts it, “the most grown-up person I have known”? Upon her death nearly two decades after the course, he has an opportunity to find out: Though their relationship since the class was limited to occasional lunches, she’s bequeathed him her library and papers to puzzle through. Neil’s investigations send him deep into the life of the Roman emperor Julian, a fierce critic of nascent Christianity, and the book’s middle section is consumed by a somewhat drowsy contemplation of Julian’s life. Whether all this philosophy makes Neil a better person is an open question; he mentions two divorces, but the exes, and the reasons for the splits, are entirely off-screen. But Barnes plainly wishes to elevate Elizabeth to a moral leadership role he feels British society is sorely lacking. (She causes a brief furor when anti-intellectual conservatives seize on a lecture she delivers on Julian’s critique of Christianity.) Barnes renders all this with his trademark grace and equipoise but at a low boil; the story has few of the fireworks or twists of The Only Story and The Sense of an Ending. Elizabeth is an intriguing character, but one is left wondering if Barnes, like Neil, has saddled her with more import than she deserves.
An engaging if slight tale of intellectual romance.Pub Date: Aug. 16, 2022
ISBN: 978-0-593-53543-1
Page Count: 192
Publisher: Knopf
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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