The unusually weighty plot occasionally clashes with the familiar outrageous puns and potty humor, but series fans will be...
The Bolds rescue an endangered victim of anti-fox bias; turns out, there’s a downside.
Someone’s stealing food from the anthropomorphic hyenas’ cheerfully chaotic household. Suspicion falls first on family, then their students learning to pass for human: Craig, the wild boar and aspiring (nonalcoholic) craft-brewery entrepreneur; Paulina, the otter with a religious vocation; and Snappy, the goose and likely future traffic cop. The scent of fox reveals the culprit. Human neighbors, also victims, call a meeting and, opposed only by the Bolds, vote to hire a catch-and-release service to remove the fox (extermination’s the true plan). Concern for their fellow wildlife leads the Bolds to concoct a daring rescue, but the human-hating fox thief, Mossy, (both his grannies were killed in fox hunts) rejects their help. Sylvie, Mossy’s meek vixen companion, can’t change his mind. The Bolds are “a disgrace to their own kind,” Mossy sneers. Then disaster strikes. Rescued but ungrateful, Mossy’s the houseguest from hell, ruthlessly bullying his kindly hosts. With Clary sounding heavy themes (bias, bullying, animals and humans behaving badly), Roberts’ unparalleled illustrations, crafting endearing eccentrics from a seamless blend of human and animal traits, add needed buoyancy. Devout Paulina, menacing Mossy, and indignant Snappy are standouts, like the hyenas, again collapsing in hysterics over Mr. Bold’s appalling jokes.
The unusually weighty plot occasionally clashes with the familiar outrageous puns and potty humor, but series fans will be more than satisfied. (Animal fantasy. 7-10)Pub Date: May 7, 2019
ISBN: 978-1-5415-0045-7
Page Count: 304
Publisher: Carolrhoda
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
Lively fun with animal friends.
Has Plum’s pep deserted him?
Several animals from the Athensville Zoo are on their way to visit an elementary school. Overconfident Itch the ningbing (an Australian marsupial), unaware that zookeeper Lizzie will be doing all the talking, looks forward to “lecturing eager young minds.” Plum, the usually chipper peacock, on the other hand, is anxious—maybe the schoolchildren won’t like him or he’ll get lost. So when they arrive at the school to find the students have been sent home due to a blizzard, Plum is relieved. The animals are left in a school gym for the night until three self-important class mice free them. Itch heads for the library to meet the learned turtle, but Plum reluctantly explores with his friends. When his anxiety peaks, they reassure him, and when the mice reject Meg, another peacock, as “borrrring” and uncool, they buoy her as well before everyone comes together to save Itch, who finds himself outside and stranded in a snowdrift. Unlike Leave It to Plum (2022), this is not a mystery, and the relationship focus shifts from Lizzie to the rodents, but the pace is brisk, and sequel seekers will be pleased to revisit familiar characters (if dismayed that Itch’s longing for knowledge leads to his downfall). In Phelan’s engaging grayscale pen-and-wash illustrations, Lizzie has short curly hair; text and art cue her as Latine.
Lively fun with animal friends. (how to draw Plum) (Chapter book. 7-10)Pub Date: Feb. 7, 2023
ISBN: 978-0-06-307920-5
Page Count: 128
Publisher: Greenwillow Books
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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