by Julian David Stone ‧ RELEASE DATE: May 17, 2022
A compelling and thoughtful family drama delightfully wrapped up in Hollywood glamour.
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In this novel, a famous father and son clash during the preparations for Universal’s 1931 movie Frankenstein.
Stone’s story opens with a set of tabloid notes: Five months before the filming of Frankenstein, Hungarian star Bela Lugosi and impoverished actor Boris Karloff are in the running for the Monster role. Three days before the cameras start rolling, Carl Laemmle Jr. is having a panic attack. The tale’s protagonist, Junior is head of production at Universal and the son of Carl Laemmle Sr., the self-made founder of the studio. As Junior longs to take cinema into the future with films like Dracula and Frankenstein, his father remains set in his old ways of doing business. Junior’s key promotion to vice president of the studio hinges on his father’s approval of his Frankenstein production. Junior tells his dad: “It’s going to be our greatest picture ever.” But Carl Sr. has serious reservations: “A mad scientist building a creature from dead body parts. Who will want to see this?” While Junior chases reluctant actors and finicky directors to create the perfect movie, he attempts to test the solidity of his cinematic vision and to compromise with his dad. Junior is also focusing on managing his romantic and professional relationship with the ambitious, quick-witted actor Sidney Fox. As the drama unfolds, the tale offers the perspectives of Dracula star Lugosi and English native Karloff, both with varied experiences in Hollywood and different ideas about Frankenstein’s Monster.
The novel’s structure, in following the countdown to the filming of Frankenstein, gives the book the suspenseful feel of a doomsday drama or spy thriller movie. In addition, the author addresses the age-old, emotional idea of a son trying to make his father proud. At the center of this conflict is Junior’s struggle to retain his individualistic dreams of Hollywood’s future in the face of his father’s more traditional approach to running a studio. The well-researched book depicts the fierce competition among the major studios of the time—including MGM, Universal, and Warner—to create the latest hit in the transition from silent to talking films in the ’20s and ’30s. Stone creatively explores this vibrant time in American cinema from both the studio perspective, through Junior at Universal, and the actors’ viewpoints. The tale highlights Karloff’s frustrations and aspirations and Lugosi’s tempestuous nature. At one point, Lugosi muses about the Monster part: “Stars showed their faces to the world; they didn’t hide them under pounds of makeup! And they spoke—words and words of great dialogue, not grunts and groans like a dumb animal….No, the role of the Monster was not for him.” The classic immigrant story is also seamlessly woven into the narrative through these well-developed characters. The author showcases an easy, witty writing style that deftly balances the fast-paced, roaring Sunset Boulevard arena with the poignant contemplations of the engrossing tale’s players. Karloff desperately wants the Monster role. He “saw the Monster as a scared child—not some horrific brute, terrorizing and destroying for the sake of terrorizing and destroying, but a frightened being….This sympathetic interpretation resonated with Boris and gave him real hope that he could deliver a powerful performance, one that would put him on the map, once and for all.”
A compelling and thoughtful family drama delightfully wrapped up in Hollywood glamour.Pub Date: May 17, 2022
ISBN: 978-1-62634-931-5
Page Count: 232
Publisher: Greenleaf Book Group Press
Review Posted Online: May 13, 2022
Review Program: Kirkus Indie
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by Julian David Stone and photographed by Julian David Stone
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Lisa See ‧ RELEASE DATE: June 9, 2026
A flawed but necessary read about a dark moment in American history.
See’s latest novel exposes a forgotten, ugly chapter in LA history—the brutal 1871 massacre of 18 Chinese immigrant men and boys.
In July 1870, two Chinese women arrive in Lo Sang, a dusty frontier town known by its white and Hispanic residents as Los Angeles. Seventeen-year-old Dove, the bound-footed daughter of an imperial scholar fallen on hard times, is the new second wife of Old Man Sing, a merchant in the tiny Chinese community on Calle de los Negros. Barefoot, dark-skinned Petal, sold into servitude to a Gold Mountain tong by her desperately poor peasant father, is destined for the Midnight Garden, a bawdy house owned by Headman Sam. Witnessing the newcomers’ arrival is Moon, the wife of a successful doctor of traditional Chinese medicine. Unlike Petal and Dove, she speaks English, and she assists her husband in his clinic. The three alternating narratives—Petal tells her story as she lives it in 1870; an elderly Moon recalls past events from 1926; and Dove’s tale is recounted in a distant third-person voice—create a portrait of a tiny immigrant community surrounded by a hostile culture and ruled by rival tongs. It’s a shootout between these disputing factions that sets off the horrifying events of Oct. 24, 1871, when a mob of about 500 white and Latine residents torture and lynch their Chinese victims. Although meticulously researched, See’s novel feels curiously flat. Despite continual descriptions of gunfights breaking out, Los Angeles never fully comes to life as a rough-and-tumble Wild West town. While the author’s female protagonists, inspired by historical figures, are well drawn (kudos to the feisty and determined Petal), most of her male characters—Chinese, Anglo, and Mexican—are as flat and indistinguishable as cardboard. Another drawback is See’s stilted and stylized dialogue, typical of historical fiction but wearying to the modern reader.
A flawed but necessary read about a dark moment in American history.Pub Date: June 9, 2026
ISBN: 9781982117054
Page Count: 384
Publisher: Scribner
Review Posted Online: May 4, 2026
Kirkus Reviews Issue: June 1, 2026
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