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JUNO & JULIET

Irish newcomer Gough deftly captures the twins’ youthful awe and giddy excitement during their freshman year, and though the...

A smartly written, pleasantly conceived Irish variation on the girl-goes-to-college-and-comes-of-age story in which small-town twins learn to adore literature and the arts, fall in love, and through loss discover deeper truths.

The narrator, Juliet, considers her twin sister Juno unbelievably beautiful, smart, socially successful, and immeasurably confident, which makes a marked contrast to her own, muddled self-image. Together, they venture to Galway to attend college, and immediately are engrossed in campus life. Juno tackles acting and falls in love with Michael, an uneven, goodhearted student with whom the sisters share a residence. Juliet, meanwhile, is introduced to the edifying joys of literature, and though no specific books are mentioned, the tutorials of David Hennessey and his teaching style—Socratic hip, with a dose of irony—are evidently rapturous: Juliet falls hard for the dashingly romantic, inwardly sad instructor with a dying father. Meanwhile, the girls’ Christmas holiday demonstrates both how much and how little the two have changed, providing a few secondary characters against whom their collegiate arc may be measured. Later, David asks Juliet to join him on a boating trip to deliver groceries to his cancer-stricken father, but as her feelings deepen, he becomes more elusive. From David, Juliet learns some shaded secrets about Conrad, an alcoholic writer-in-residence with whom Juno has a flirtatious relation. On impulse, Juliet sleeps with Michael, and later Juno sleeps with Conrad. The sisters make up, and Juno discovers Conrad is responsible for the threatening, sexually violent letters that have been frightening her for weeks. David will join the sisters in confronting the sodden author.

Irish newcomer Gough deftly captures the twins’ youthful awe and giddy excitement during their freshman year, and though the plot ambles along fairly conventional paths, its course is stylistically nimble, intellectually unburdensome, and eminently companionable.

Pub Date: July 17, 2001

ISBN: 0-385-50172-2

Page Count: 288

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2001

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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