A promising debut that re-energizes tropes in the dystopian sci-fi genre.
In North’s debut YA novel set in a violently divided, high-tech New York City, a poor girl enrolls in a Manhattan school that serves as an enclave for the fabulously rich, powerful, and dangerous.
An “Orderist” movement has given privilege and rank to those said to have the most “merit,” which include America’s wealthiest people. This state of affairs made California secede from the Union to become a rogue state; meanwhile, Manhattan, the new capital of the remaining 49, is a paradise of affluence for its chosen elite, with such fabulous luxuries as gene enhancements, gated communities, guardian drones, and self-driving taxis. The Bronx, meanwhile, is wretched, drug-ridden, and plague-filled. It’s also home to Daniela Machado, a fierce girl with phenomenal high school grades and impressive stats in track and field. She’s driven by a single-minded aim to attend a local medical school and fight “the Waste,” a mysterious, eventually fatal malady that’s slowly overtaking her political-agitator brother, Mateo. Unexpectedly, Daniela is granted a one-in-a-million chance to attend the Tuck School, a Manhattan academy for the best of the so-called “highborn.” She’s suspicious of the faculty’s motives and of the uber-handsome classmates around her, some of whom are friendly and welcoming, others not. She soon finds out that her predecessor apparently committed suicide, and she gets drawn into intrigue at the highest levels. There’s no shortage of YA sci-fi yarns that focus on the gap between haves and have-nots. But North’s entry is superlative, and his well-rendered setting is a more interesting conceit than Suzanne Collins’ similar Panem in The Hunger Games. Ultimately, what starts out as sort of a fish-out-of-water drama with sci-fi trappings becomes the story of a veritable clash of superbeings, but North maintains expert control over it, much as J.K. Rowling did in her Harry Potter sagas. The action scenes are deftly handled, as are the depictions of compelling, smart, multicultural characters. The background philosophy behind the Orderists also has a sinister verisimilitude (Aldous Huxley is cited, although Ayn Rand, curiously, is not). Both YA and adult readers will be transfixed by this novel, which works well as both a stand-alone and as a series opener.
A promising debut that re-energizes tropes in the dystopian sci-fi genre.Pub Date: Feb. 6, 2017
ISBN: N/A
Page Count: 339
Publisher: Plebeian Media
Review Posted Online: Jan. 30, 2017
Kirkus Reviews Issue: March 1, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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