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THE COLOUR OF MURDER

This perfect choice for Poisoned Pen’s British Library Crime Classics series wears its 60 years with surprising lightness....

A shy, frustrated London husband’s infatuation with another woman ends in murder in this reprint of a 1957 book, which won the Crime Writers Association Best Novel award on its first publication.

John Wilkins isn’t looking for an affair. He’s not looking for much of anything at all: not acceptance of his proposal to merge the Palings department store’s Complaints Department, where he works, with its Service Department; not the raise he assures his standoffish wife, May, he’s going to get one of these days; not even May's demonstrated affection. But once he meets librarian Sheila Morton, an equally harmless soul who pretends greater interest in him than she actually feels, he can’t help fantasizing about her and their future together, and the periodic blackouts he’s suffered for several years become more frequent, more severe, and more troubling. When Sheila announces that she’s taking a vacation in Brighton, Wilkins talks May into booking a stay at a hotel a few blocks away, and it’s in Brighton that matters come to a head, setting up a long confession Wilkins makes to a sympathetic psychotherapist and an equally long trial for murder. To say more would spoil the surprises planted by Symons (Playing Happy Families, 1994, etc.), whose love/hate relationship with the tropes of the classic British mystery continued throughout his long career. This time, he achieves perhaps his most successful melding of sociological analysis, golden-age whodunit tropes, and darkly satirical sendups of the very conventions he relies on to structure this unexpectedly moving tale of a deeply ordinary man all too easily moved.

This perfect choice for Poisoned Pen’s British Library Crime Classics series wears its 60 years with surprising lightness. Now how about some Henry Wade?

Pub Date: Feb. 5, 2019

ISBN: 978-1-4642-1089-1

Page Count: 280

Publisher: Poisoned Pen

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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  • Kirkus Reviews'
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  • New York Times Bestseller

Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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