by Julianne Moore ; illustrated by LeUyen Pham ‧ RELEASE DATE: July 14, 2015
New readers deserve better.
Moore lampoons school lunches in this early-reader series outing.
Both Freckleface Strawberry and her heavy friend Windy Pants Patrick (readers may well wonder about his name, as he is wearing shorts) love to eat. They love hot dogs, grilled cheese, peanut butter and jelly, chicken fingers, and noodles. But neither especially likes to eat school lunches. One day, Freckleface sits down with an especially interesting-looking lunch consisting of a bowl of green noodles. In an unfunny schtick that’s repeated too many times, one by one three friends ask her what it is. “That is lunch.” “But what is it?” “I do not know.” Finally, after a teacher shushes them for yelling instead of eating, Freckleface digs in. And though she still may not know what lunch is, she does know that she likes it. Moore’s characters lack personality, though at least classmate Noah has a trait—yelling instead of talking—that makes him stand out from the others. And though the subject is near and dear to readers’ hearts, this treatment can’t hold a candle to the likes of True Kelley’s School Lunch (2005). Pham’s illustrations portray Freckleface, Windy Pants, and Noah as starkly white; Southeast Asian Winnie is Freckleface’s only friend of color. There are two other brown girls in the cafeteria, but they have no interactions with the main characters.
New readers deserve better. (Early reader. 4-7)Pub Date: July 14, 2015
ISBN: 978-0-385-39192-4
Page Count: 32
Publisher: Random House
Review Posted Online: May 11, 2015
Kirkus Reviews Issue: June 1, 2015
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by Julianne Moore ; illustrated by LeUyen Pham
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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