This mother-and-daughter team has created an amusing spoof of the New York theater world through the device of a parallel theatrical community of mice existing in the basement under a famous old Broadway venue. The mouse troupe is rehearsing a New Year’s Eve performance called Broadway Airs: A Tribute to the Great American Mousical, with songs and dances from favorite shows. The novel’s large cast of mouse characters includes both actors and backstage pros, most with names from well-known musicals, but with over 30 characters, it’s hard to keep all the players straight. When the star of the musical revue, Adelaide, is caught in a trap and transported to Brooklyn, the cast has to revamp the show, as Adelaide finds her way back to Broadway in a snowstorm with the help of a kindly mouse professor named Henry. The omniscient narrative style, sophisticated vocabulary and convoluted theatrical situations will be of interest mainly to good readers who are also budding thespians. A glossary of theatrical terms is included. (Illustrations not seen) (Fiction. 8-11)
Pub Date: Feb. 1, 2006
ISBN: 0-06-057918-8
Page Count: 160
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2006
BOOK REVIEW
BOOK REVIEW
Dizzyingly silly.
The famous superhero returns to fight another villain with all the trademark wit and humor the series is known for.
Despite the title, Captain Underpants is bizarrely absent from most of this adventure. His school-age companions, George and Harold, maintain most of the spotlight. The creative chums fool around with time travel and several wacky inventions before coming upon the evil Turbo Toilet 2000, making its return for vengeance after sitting out a few of the previous books. When the good Captain shows up to save the day, he brings with him dynamic action and wordplay that meet the series’ standards. The Captain Underpants saga maintains its charm even into this, the 11th volume. The epic is filled to the brim with sight gags, toilet humor, flip-o-ramas and anarchic glee. Holding all this nonsense together is the author’s good-natured sense of harmless fun. The humor is never gross or over-the-top, just loud and innocuous. Adults may roll their eyes here and there, but youngsters will eat this up just as quickly as they devoured every other Underpants episode.
Dizzyingly silly. (Humor. 8-10)Pub Date: Aug. 26, 2014
ISBN: 978-0-545-50490-4
Page Count: 224
Publisher: Scholastic
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author of Babe, the Gallant Pig (1985) offers another winner with this tale of a bright pig and her canny young keeper “training” a spoiled princess. When Princess Penelope demands a pig for her eighth birthday, her over-indulgent father requires every pig keeper in the country to assemble with a likely porcine candidate. The princess settles on Lollipop, who turns out to be the sole possession of penniless orphan Johnny Skinner. As only Johnny can get Lollipop to sit, roll over, or poop outdoors, soon lad and pig are comfortably ensconced together in a royal stall—at least until the pig can be persuaded to respond to the Princess’s commands. It’s only the beginning of a meteoric rise for Johnny, and for Lollipop too, as the two conspire to teach the princess civilized manners, and end up great favorites of the entire royal family. Barton (Rattletrap Car, p. 504, etc.) captures Penelope’s fuming, bratty character perfectly in a generous array of line drawings, and gives Lollipop an expression of affectionate amusement that will win over readers as effortlessly as it wins over the princess and her parents. Move over, Wilbur. (Fiction. 8-10)
Pub Date: June 1, 2001
ISBN: 0-7636-1269-3
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2001
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