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THE FIRST NOTES

THE STORY OF DO, RE, MI

A charming collaboration that strikes just the right notes.

Actor Andrews and her daughter Walton Hamilton offer an account of the 11th-century monk who invented Solfège, which in turn became the modern system of musical staff notation.

Introducing Guido d’Arezzo as a small boy in Pomposa, Italy, the writers gracefully weave in details about his education in the monastery and the sounds that surrounded him. Finding it hard to memorize the hymns, he devised a notation system to make learning easier, using the six syllables that began the lines of a familiar hymn (“ut,” “re,” “mi,” “fa,” “sol," “la”). Though his teachers dismissed his ideas, he drew on them when he trained the choir at the cathedral of Arezzo, and his methods proved so successful he was invited to Rome by the pope. The book concludes by explaining that Guido’s notes changed over time; “ut” became “do,” and the seventh note, “ti,” was added later. This leads smoothly into illustrated scenes of monastery life accompanied by the lyrics of the Rodgers and Hammerstein song made famous by Andrews’ performance in the film version of their musical The Sound of Music. Fedele’s playful art, done in watercolor, gouache, and colored pencil, expresses contrasting moods beautifully and adds context. Extensive backmatter makes this useful for an even older audience. Even libraries still owning Susan Roth’s Do, Re, Mi (2007) will want this richer depiction. The characters present as White. (This book was reviewed digitally.)

A charming collaboration that strikes just the right notes. (note about the song, glossary, details on Guido’s life in the abbey, information on the Guidonian Hand, historical note) (Informational picture book. 6-10)

Pub Date: Nov. 1, 2022

ISBN: 978-0-316-26590-4

Page Count: 48

Publisher: Little, Brown

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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MORE THAN PEACH

An inspirational look at one girl’s quest to make sure that all skin tones are visible and available in the classroom.

A Black girl’s simple observation propels her into activism.

Woodard, who launched the More Than Peach Project—which arranges for classrooms and children in need to receive kits that include art supplies and boxes of multicultural crayons (crayons in a variety of skin tones)—relates the incident that sparked her journey. As the book begins, she is dropped off at school and notices that her family’s skin tone differs from that of her classmates. While it is clear that she is one of a few children of color at school, that difference isn’t really felt until her friends start asking for the “skin-color” crayon when they mean peach. She’s bothered that no one else seems to notice that skin comes in many colors, so she devises a unique way of bringing everyone’s attention to that fact. With support from her family and her school, she encourages her fellow classmates to rethink their language and starts an initiative to ensure that everyone’s skin tone is represented in each crayon box. Appealing, realistic artwork depicts Woodard’s experiences, while endpapers feature More Than Peach crayon boxes and childlike illustrations of kids of different ethnicities doing various activities. The story is stirring and will motivate budding activists. (This book was reviewed digitally; the review has been updated for factual accuracy.)

An inspirational look at one girl’s quest to make sure that all skin tones are visible and available in the classroom. (note from Woodard, information on Woodard’s journey into activism, instructions on starting a drive) (Picture-book biography. 6-10)

Pub Date: July 26, 2022

ISBN: 978-1-338-80927-5

Page Count: 40

Publisher: Scholastic

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

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