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HORRIBLE WOMEN, WONDERFUL GIRLS

A clever and entertaining read, with amusing, unexpected twists and a sturdy female protagonist.

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A down-on-her-luck developer of products for the film and gaming industry leaves Los Angeles for a job in Wisconsin in Sipos’ spirited satire.

Forty-year-old Jaycee Grayson, fresh from a stint in the Betty Ford rehab center after having been fired from her job at a big-name Hollywood studio, is about to embark on a new adventure. Her older sister Meredith Grayson-O’Cochlain, a high-powered attorney, has negotiated a contract for Jaycee to be the new executive producer and vice president of global entertainment at Wonderful Girls, a successful manufacturer of lifelike dolls that reflect individual personalities and aspirations. The company, run primarily by women, was founded by the now semi-retired Happy Lindstrom. It has recently been sold for a fortune to a Japanese company but still maintains its headquarters in Littleburgh, Wisconsin. “Pulled by this strange and wonderful concept of female unity,” Jaycee heads to Wisconsin, where she discovers a workplace brimming with an intoxicating sweetness that belies the back-stabbing manipulations of Wonderful Girls’ venomous staff. Amply funded by a new termination agreement with the Hollywood studio hammered out by Meredith, Jaycee buys a house in Littleburgh reportedly built by the late architect Frank Lloyd Wright for his mistress. Once she settles in, it does not take long for her to discover that duplicity runs rampant below Wonderful Girls’ saccharine surface; bad-mouthing and sabotage lurk around every corner. Sipos writes with wit, introducing a large cast of quirky characters hiding a trove of backstories and deceptions. The dialogue is filled with sharply focused sarcasm, and Jaycee, who narrates the tale, is a feisty protagonist relentlessly trudging through a chaotic swamp of miscreants. Abel Dreaux, the village police chief, adds a bit of offbeat romance, and the aging Happy Lindstrom proves to be a delightful, surprising powerhouse. The relationship between Jaycee and Meredith provides some needed poignancy, as does the developing friendship between Jaycee and the gently rebellious Mennonite couple that tends to her culinary and gardening needs. Even so, acerbic humor is never more than a paragraph or two away.

A clever and entertaining read, with amusing, unexpected twists and a sturdy female protagonist.

Pub Date: March 31, 2025

ISBN: 9798991999410

Page Count: 301

Publisher: Dartmouth Park

Review Posted Online: Jan. 14, 2025

Kirkus Reviews Issue: March 1, 2025

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: today

Kirkus Reviews Issue: Aug. 1, 2025

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