An enemies-to-lovers romance that deserves to be savored.
Desire and disdain collide as an opera singer who's been publicly shamed clashes with a priggish, aristocratic military hero.
Soprano Mariana Wylde seeks refuge at the London docklands boardinghouse known as the Palace of Rogues after a duel between a former lover and a current fan makes her a tabloid scandal. To her dismay, Gen. James Duncan Blackmore, the Duke of Valkirk—who's lodging there temporarily while writing his memoirs—takes an immediate dislike to her for her perceived debauchery. Initial skirmishes between the two culminate in a mean-spirited action on his part, precipitating an apology and a period of forced proximity between them. While the duke, who speaks Italian, gives private lessons to the soprano, who only sings it, they begin to slowly share their fears and traumas, and the two bruised souls drop their bellicose facades and begin a secret affair. Despite their electric attraction, however, her disrepute presents an insurmountable barrier to a legitimate relationship in his eyes, yoked as he is to his own reputation as a moralist. Long specializes in crafting tension between people whose sexual and intellectual compatibility are at odds with their place in social hierarchies and prescribed gender roles. But even as British society seems unlikely to accept this union, the plucky proprietresses of the Palace of Rogues and the other charming lodgers there model alternatives to a conventional life. It's up to the duke to overcome his black-and-white perspective as he comes to see how sexist stereotypes demonize nonconforming women while excusing men. If the novel’s agenda is obvious—questioning the patriarchal hypocrisy that condemns women after taking away their choices—the execution is subtle and moving. Scenes where the protagonists’ spoken words compete with their body language mirror the strain between socially dictated mores and individual desire. The only sour note is the hero’s background, which falls into a long romance tradition of British imperialists—one that needs to be retired, or at least interrogated.
An enemies-to-lovers romance that deserves to be savored.Pub Date: Nov. 30, 2021
ISBN: 978-0-06-304509-5
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.
A woman travels to Scotland to unravel her late father’s past and meets a grumpy Scotsman with his own secrets.
Keyanna MacKay was brought up by a single father who was always tight-lipped about his upbringing, so when he dies, she’s left with no family. Key decides that learning about his life before he left Scotland would be a good way of keeping his memory close and perhaps connecting with long-lost relatives. She discovers a grandmother and other extended family in Scotland, but they’re hardly welcoming. “I know who you are....And you shouldn’t have come,” are the first words her grandmother says to her. Lachlan Greer has little patience for the American he’s already written off as clueless. When he witnesses Key’s snubbing by her family members, his grumpy demeanor gives way to begrudging pity, and he starts helping her navigate the local community and try to build a bridge to her grandmother. At first, this book seems to be a contemporary romance with light magical undertones involving a family’s mysterious curse, but it quickly devolves into a monster romance heavy on shock value. While monster romance can be fun, it doesn’t work here. Key and Lachlan’s chemistry is bumpy, and the pace of their relationship as they go from disastrous first impressions to a happily ever after is all over the place. Ferguson tries to combine too many elements—including a grumpy-meets-sunshine pairing, a mystery with sensitive family dynamics, and the complicated logistics of falling in love with a cryptid—leaving several threads not fully resolved. The setting is the most positive element, with Scotland’s lush greenery providing the perfect whimsical background for hunting down long-buried family secrets.
This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.Pub Date: Dec. 3, 2024
ISBN: 9780593816851
Page Count: 416
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
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