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I'M ONLY WICKED WITH YOU

From the Palace of Rogues series , Vol. 3

You’ll be seduced by this fake-engagement romance set at the London docks.

An unexpected interlude turns antagonists into allies—and lovers—in Regency England.

In the third addition to the charming Palace of Rogues boardinghouse series, Lady Lillias Vaughn butts heads with American merchant and aspiring politician Hugh Cassidy. Hugh is in England to locate the runaway daughter of his mentor, and Lillias is temporarily lodged at the women-run rental property with her family while their grand home is under renovation. From their first encounter, the two headstrong protagonists are like duelists, with every scene a battle against each other and their attraction. But Lillias is also secretly grieving thwarted hopes, and Hugh is trying to reconcile his pull to her with his dream of a biddable helpmate who will aid his political ambitions in New York. As their fiery interactions start to compete with Lillias’ yearnings and Hugh’s plans, a moment of indiscretion forces the couple into facing their true desires. Then a third plot turn leaves their choices hanging in the balance. Though tonally nimble and similar to Mary Balogh’s novels in its layered meditation on loss, sacrifice, and mature desire, the story valorizes American classlessness and freedom against British hierarchy and constraints in a way that strikes an off note. Yet Long’s distinctive metaphor-rich style is a treat, a visual and textural tapestry that expresses the characters’ emotional lives through their senses. She suffuses the prose with images of fire and musical reverberations, distilling into them the erotic affection, sensual banter, and crackling chemistry that arcs between the combatant lovers.

You’ll be seduced by this fake-engagement romance set at the London docks.

Pub Date: May 11, 2021

ISBN: 978-0-06-304508-8

Page Count: 400

Publisher: Avon/HarperCollins

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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  • New York Times Bestseller

The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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UNDER LOCH AND KEY

This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.

A woman travels to Scotland to unravel her late father’s past and meets a grumpy Scotsman with his own secrets.

Keyanna MacKay was brought up by a single father who was always tight-lipped about his upbringing, so when he dies, she’s left with no family. Key decides that learning about his life before he left Scotland would be a good way of keeping his memory close and perhaps connecting with long-lost relatives. She discovers a grandmother and other extended family in Scotland, but they’re hardly welcoming. “I know who you are....And you shouldn’t have come,” are the first words her grandmother says to her. Lachlan Greer has little patience for the American he’s already written off as clueless. When he witnesses Key’s snubbing by her family members, his grumpy demeanor gives way to begrudging pity, and he starts helping her navigate the local community and try to build a bridge to her grandmother. At first, this book seems to be a contemporary romance with light magical undertones involving a family’s mysterious curse, but it quickly devolves into a monster romance heavy on shock value. While monster romance can be fun, it doesn’t work here. Key and Lachlan’s chemistry is bumpy, and the pace of their relationship as they go from disastrous first impressions to a happily ever after is all over the place. Ferguson tries to combine too many elements—including a grumpy-meets-sunshine pairing, a mystery with sensitive family dynamics, and the complicated logistics of falling in love with a cryptid—leaving several threads not fully resolved. The setting is the most positive element, with Scotland’s lush greenery providing the perfect whimsical background for hunting down long-buried family secrets.

This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.

Pub Date: Dec. 3, 2024

ISBN: 9780593816851

Page Count: 416

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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