A tense and tender historical romance that may be the strongest and yet most flawed of the Grand Palace on the Thames books.
The runaway French fiancee of an English diplomat is followed to England by a recently freed spy with his own agenda.
Having fled the man she was engaged to marry, young Lady Aurelie Capet finds her way to the Grand Palace on the Thames boardinghouse and manages to fake her way into becoming a temporary lodger under the name Mary Gallagher. Anxious to head to Boston and her only surviving family, she is only waiting to liquidate some assets for the trip when Christian Hawkes crashes into the dockside inn, bleeding from a knife wound. The motley inhabitants rally to his aid, mistaking him for an expected new guest. But it is Aurelie, posing as the widowed Mrs. Gallagher, who volunteers to watch over the feverish man, realizing that her recent misfortune has shown her how tough she is in dire straits. From then on, the tension ratchets up, both from the couple’s magnetic sexual and emotional attraction and the reader’s awareness of his real mission—finding her—and his chameleonlike skills. As always, Long’s style, with its evocative phrases, casts a spell. She is also deft at weaving the protagonists closer to each other while building a sense of dread: How will the knot be unraveled, and will the truth of their past entanglements with the same man lance old poisons or infect their budding love? But the normally nimble writer missteps in forcing a conversation about Aurelie’s flight after the third-act breakup, worsening the black moment through a choice that is inexplicable and unnecessary and potentially hurts the hero’s heroic status. The eventual resolution involving the villain is somewhat hollow as well, because it makes Aurelie’s recent past a tool to serve the hero’s character arc. The familiar members and new guests of the boardinghouse provide needed comfort even as the new couple add a frisson of excitement and uncertainty.
A tense and tender historical romance that may be the strongest and yet most flawed of the Grand Palace on the Thames books.Pub Date: June 28, 2022
ISBN: 978-0-06-304510-1
Page Count: 368
Publisher: Avon/HarperCollins
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Slow and plodding.
A young woman with a magical ability to harness light discovers she is royalty.
Talasyn is a foot soldier for her homeland of Sardovia, which has been under attack for the past decade by the powerful and evil Night Empire, a conflict known as the Hurricane Wars. Talasyn is an orphan with no knowledge of her family, but she assumes they might be the source of her rare, magical Lightweaving talent. During a battle with the forces of the Night Empire, Talasyn spars with Prince Alaric, a fierce warrior who is the son and heir to the Night Emperor. Talasyn is sent on a covert mission into Nenavar, a nearby matriarchy that has remained neutral during the Hurricane Wars, to try to access a Light Sever which could hone and refine her magic. Instead, she discovers she is the heir to their royal throne; she and her mother, now presumed dead, disappeared under mysterious circumstances when she was a year old. Alaric follows her into Nenavar, and they discover his magical ability to cast darkness and shadows produces shocking results when mixed with her Lightweaving. A few weeks later, the Night Empire defeats Sardovia and ends the Hurricane Wars, and the novel transitions to a tedious, slow-moving story of court intrigue and diplomacy. A group of Sardovian soldiers and refugees seek asylum in Nenavar, but Talasyn’s grandmother agrees to protect them only if Talasyn agrees to join the royal court and marry Alaric. The politics surrounding the impending wedding is the primary plot for the rest of the novel, and it’s a slog. The glacially slow pacing only serves to highlight the confusing world building and underdeveloped characters. It’s unclear why Alaric and Talasyn are attracted to each other, and their tentative romance is just as stuck in a rut as the plot.
Slow and plodding.Pub Date: Oct. 3, 2023
ISBN: 9780063277274
Page Count: 480
Publisher: Harper Voyager
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
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