A tense and tender historical romance that may be the strongest and yet most flawed of the Grand Palace on the Thames books.
The runaway French fiancee of an English diplomat is followed to England by a recently freed spy with his own agenda.
Having fled the man she was engaged to marry, young Lady Aurelie Capet finds her way to the Grand Palace on the Thames boardinghouse and manages to fake her way into becoming a temporary lodger under the name Mary Gallagher. Anxious to head to Boston and her only surviving family, she is only waiting to liquidate some assets for the trip when Christian Hawkes crashes into the dockside inn, bleeding from a knife wound. The motley inhabitants rally to his aid, mistaking him for an expected new guest. But it is Aurelie, posing as the widowed Mrs. Gallagher, who volunteers to watch over the feverish man, realizing that her recent misfortune has shown her how tough she is in dire straits. From then on, the tension ratchets up, both from the couple’s magnetic sexual and emotional attraction and the reader’s awareness of his real mission—finding her—and his chameleonlike skills. As always, Long’s style, with its evocative phrases, casts a spell. She is also deft at weaving the protagonists closer to each other while building a sense of dread: How will the knot be unraveled, and will the truth of their past entanglements with the same man lance old poisons or infect their budding love? But the normally nimble writer missteps in forcing a conversation about Aurelie’s flight after the third-act breakup, worsening the black moment through a choice that is inexplicable and unnecessary and potentially hurts the hero’s heroic status. The eventual resolution involving the villain is somewhat hollow as well, because it makes Aurelie’s recent past a tool to serve the hero’s character arc. The familiar members and new guests of the boardinghouse provide needed comfort even as the new couple add a frisson of excitement and uncertainty.
A tense and tender historical romance that may be the strongest and yet most flawed of the Grand Palace on the Thames books.Pub Date: June 28, 2022
ISBN: 978-0-06-304510-1
Page Count: 368
Publisher: Avon/HarperCollins
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.
A woman travels to Scotland to unravel her late father’s past and meets a grumpy Scotsman with his own secrets.
Keyanna MacKay was brought up by a single father who was always tight-lipped about his upbringing, so when he dies, she’s left with no family. Key decides that learning about his life before he left Scotland would be a good way of keeping his memory close and perhaps connecting with long-lost relatives. She discovers a grandmother and other extended family in Scotland, but they’re hardly welcoming. “I know who you are....And you shouldn’t have come,” are the first words her grandmother says to her. Lachlan Greer has little patience for the American he’s already written off as clueless. When he witnesses Key’s snubbing by her family members, his grumpy demeanor gives way to begrudging pity, and he starts helping her navigate the local community and try to build a bridge to her grandmother. At first, this book seems to be a contemporary romance with light magical undertones involving a family’s mysterious curse, but it quickly devolves into a monster romance heavy on shock value. While monster romance can be fun, it doesn’t work here. Key and Lachlan’s chemistry is bumpy, and the pace of their relationship as they go from disastrous first impressions to a happily ever after is all over the place. Ferguson tries to combine too many elements—including a grumpy-meets-sunshine pairing, a mystery with sensitive family dynamics, and the complicated logistics of falling in love with a cryptid—leaving several threads not fully resolved. The setting is the most positive element, with Scotland’s lush greenery providing the perfect whimsical background for hunting down long-buried family secrets.
This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.Pub Date: Dec. 3, 2024
ISBN: 9780593816851
Page Count: 416
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
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