Droll farce yields to intriguing mystery, leaving the seams between them showing
When an overbearing headmistress and her odious brother drop dead, seven Victorian schoolgirls decide to run their school without adult interference.
It’s an ordinary Sunday dinner at Saint Ethelreda’s School for Young Ladies until Mrs. Plackett and Mr. Aldous Godding choke on their veal and fall over, dead as a pair of unpleasant doornails. All of the seven students at Saint Ethelreda’s, from Dull Martha to Dour Elinor, are horrified at the notion of their inevitable separation. Once they tell the authorities about Mrs. Plackett’s death, surely they will all be sent back home to their dreadful families and shunted off to far worse schools. All seems lost until Smooth Kitty asks the others, what if they just don’t tell the authorities about their headmistress’s untimely demise? What follows is classic farce, as the young ladies spend the rest of that evening desperately hiding the corpses and their headmistress’s absence from an unprecedented stream of callers. Stout Alice is disguised as Mrs. Plackett, Disgraceful Mary Jane initiates the garden gravedigging, and Pocked Louise helpfully adopts a puppy. A third of the way through the novel, the breakneck shenanigans abruptly settle, becoming merely the backdrop of a fairly classic drawing-room mystery. The young ladies are charming and their problem-solving ingenious, though the epithets used to describe them—it is never “Roberta,” always “Dear Roberta”—get old very quickly.
Droll farce yields to intriguing mystery, leaving the seams between them showing . (Farce/mystery. 11-13)Pub Date: Sept. 23, 2014
ISBN: 978-1-59643-956-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 29, 2014
Kirkus Reviews Issue: July 15, 2014
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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