Devastating; as unforgettable as it is gorgeous.
Sensitive and smart and arrestingly beautiful, debut novelist Buntin’s tale of the friendship between two girls in the woods of Northern Michigan makes coming-of-age stories feel both urgent and new.
Fifteen-year-old Cat catches her first glimpse of Marlena as they’re unloading the U-Haul; Cat’s parents have just gotten divorced, the most obvious consequence of which is that her mother has moved the remainder of the family from the suburbs of Detroit to Silver Lake, a rural town in Northern Michigan, 20 minutes from the nearest grocery store stocking vegetables. It is a meeting both unremarkable and life-changing. “The details of her in my memory are so big and clear they almost can’t quite be true,” Cat says, looking back. “Her arms were slicked with snowmelt and pimpled from the cold; her hair gave off a burnt-wood smell when she shook it out of her face, the way she often did before she spoke.” Over the course of the coming weeks, they become friends, and then best friends, their lives wholly and intensely intertwined. Magnetic and kind and very, very troubled, Marlena introduces the once-studious Cat to a new world of drinking and pills and sex and also friendship, the depth of which neither girl has experienced before. And still, there are parts of Marlena’s life Cat cannot reach and doesn’t understand: Cat knows someday she’ll be leaving Silver Lake; Marlena knows she won’t. She’s right. With time, Marlena slips further away, swallowed up by drugs and desperation, and by the end of the year she is dead, having drowned alone in a shallow, freezing river in the unforgiving woods. It could so easily be clichéd or sentimental. It is neither. Jumping between their teenage friendship in Michigan and Cat’s adult life in New York City, Buntin creates a world so subtle and nuanced and alive that it imprints like a memory.
Devastating; as unforgettable as it is gorgeous.Pub Date: April 4, 2017
ISBN: 978-1-62779-764-1
Page Count: 288
Publisher: Henry Holt
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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