by Julie Doucet ‧ RELEASE DATE: Oct. 1, 1999
paper 1-896597-24-6 Among the younger generation of alternative comix artists, Doucet (best known for her comic book, Dirty Plotte) stands out for her engaging combination of a cartoonish style and frank realism; her postfeminist autobiographical tales are tough and self- effacing, bitchy and sweet, and all peopled with her rubbery characters with goofy oversized heads. This beautifully produced volume collects two short stories, both set in Doucet’s native Montreal, and the long title piece, a tale of misbegotten bohemianism in latter-day Manhattan. “The First Time” records Doucet’s unromantic deflowering, soon after graduating from convent school, by an aging hippie. The great backgrounds, full of visual jokes, also contribute to “Julie in Junior College,” a hapless tale of her subsequent days in art school. The bulk of this b&w collection is made up of Doucet’s episodic New York diary, a memoir of her year in the city that begins in romantic bliss, builds to a messy breakup, and ends with her escape to Seattle. Endpaper photographs prove Doucet’s claim that her Washington Heights neighborhood is exceedingly grimy, not just in her deliberately messy drawings. If anything, her rich comedic style softens the scuzziness—the endless cockroaches and garbage-strewn sidewalks seem funny in her heavily littered frames. With her new beau, Julie guzzles beer by the case, begins to worry about work, and longs to move closer to the action on the Lower East Side. As her career takes off (there’s a RAW party scene with a cameo by Art Spiegelman), her lover’s career goes nowhere, and he grows increasingly angry and needy, a pattern that culminates in a particularly awful scene on the subway. All of Doucet’s panels charm with their clutter and with her self-portrait as a sartorially challenged, scraggly haired waif (literally wide-eyed) who’s not as weak as she first seems. The hand-lettering, with some misspellings (French is the artist’s first language), adds to the overall effect: spunky and smart, Doucet is the true voice of grrrrl power.
Pub Date: Oct. 1, 1999
ISBN: 1-896597-23-8
Page Count: 94
Publisher: Drawn & Quarterly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1999
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by Julie Doucet
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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