Overlong and breathlessly written, this dual biography of a German novelist and a Hollywood star wilts well before their late- life romance finally blooms. Gilbert (Ferber: The Biography of Edna Ferber and Her Circle, 1978) sets herself an ambitious, intriguing program. Alternating chapters narrate two converging stories. One concerns novelist Erich Maria Remarque, who made his reputation by penning the famous account of the horrors of WW I All Quiet on the Western Front. Hitler's ascension to power found the dashing Remarque expatriated to Switzerland and the United States, where he would become a cosmopolitan playboy. Remarque's later novels included some big sellers, but the true dramas unfolded in his affairs with the world's leading ladies, chief among them Marlene Dietrich. Gilbert's other story here concerns the actress Paulette Goddard. Rising from humble beginnings, she took the roaring '20s by storm. Paulette married rich—inspiring, some claim, How to Marry a Millionaire—divorced, made her way to Hollywood, and was cast by Charlie Chaplin in his classic Modern Times. Chaplin, for a time Goddard's husband, introduced her to powerful circles, where she captivated famous personages from George Gershwin to Anthony Eden. By the late 1940s, however, Goddard's star was in eclipse. Happily, she met Remarque, who was comfortable enough writing his more or less successful novels and screenplays, enjoying more or less masochistic relationships, and amassing a spectacular art collection. Relying heavily on transcriptions from diaries and letters, Gilbert details how the couple met, fell in love, and subsequently fell into decline together. Her account of their marriage, while complete, fails to provide satisfying resolutions to their two stories. Despite their moments of glamour, Goddard and Remarque emerge here neither as fascinating individuals nor as a uniquely interesting couple. This book's index will provide a veritable dictionary of 20th century celebrity. Too bad that the Goddard and Remarque don't stand out from this crowd. (b&w illustrations, not seen)
Pub Date: June 26, 1995
ISBN: 0-679-41535-1
Page Count: 512
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1995
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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