A dark comedy with more darkness than comedy.
Residents of a self-consciously quaint Washington, D.C., suburb end up at war when a wealthy family moves in.
"One couldn't, in all honesty, accuse Nick Cox of starting the 'big house' craze in Willard Park. The tearing down and building up had started long before he moved in....Now houses wrapped in shimmering Tyvek slips were a common sight. Latino gardeners spilled out of trucks in the springtime along with wheelbarrows full of mulch and trees with round, burlap bottoms." Langsdorf's debut social satire gets off to a promising start, laying out the tensions in a town on the cusp of change through the conflicts simmering on one block of Tunlaw Place. At its center are Ted and Allison, a nice couple who've lived in Willard Park for almost 14 years. Their problems were no worse than the usual dull marriage/adolescent daughter scenario until the philistines arrived, building a castle on one side of them and a mammoth spec house—the titular "white elephant"—on the other. As the town divides bitterly over a proposed building moratorium, a mysterious tree murderer hits the streets with a chainsaw, ravaging the arboreal population. Langsdorf's not-too-endearing cast includes several villains (two bullies and one pot smoker), a couple of saints (tree-hugger Ted and his intellectually disabled twin), and two central female characters who should be easier to keep straight than they are. An almost Shirley Jackson–esque view of human nature emerges when the bulletin board at the local cafe spontaneously blooms with tattletale notes: "Melanie Frank said her black walnut trees are 'not worth the trouble'." "Ana Lopez cheats on her taxes." "Antoine Beignet has a second family in Toledo." After a surprisingly cruel climax, a cleanup chapter can't quite make the skies blue again.
A dark comedy with more darkness than comedy.Pub Date: March 26, 2019
ISBN: 978-0-06-285775-0
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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