by Julie Langsdorf ‧ RELEASE DATE: March 26, 2019
A dark comedy with more darkness than comedy.
Residents of a self-consciously quaint Washington, D.C., suburb end up at war when a wealthy family moves in.
"One couldn't, in all honesty, accuse Nick Cox of starting the 'big house' craze in Willard Park. The tearing down and building up had started long before he moved in....Now houses wrapped in shimmering Tyvek slips were a common sight. Latino gardeners spilled out of trucks in the springtime along with wheelbarrows full of mulch and trees with round, burlap bottoms." Langsdorf's debut social satire gets off to a promising start, laying out the tensions in a town on the cusp of change through the conflicts simmering on one block of Tunlaw Place. At its center are Ted and Allison, a nice couple who've lived in Willard Park for almost 14 years. Their problems were no worse than the usual dull marriage/adolescent daughter scenario until the philistines arrived, building a castle on one side of them and a mammoth spec house—the titular "white elephant"—on the other. As the town divides bitterly over a proposed building moratorium, a mysterious tree murderer hits the streets with a chainsaw, ravaging the arboreal population. Langsdorf's not-too-endearing cast includes several villains (two bullies and one pot smoker), a couple of saints (tree-hugger Ted and his intellectually disabled twin), and two central female characters who should be easier to keep straight than they are. An almost Shirley Jackson–esque view of human nature emerges when the bulletin board at the local cafe spontaneously blooms with tattletale notes: "Melanie Frank said her black walnut trees are 'not worth the trouble'." "Ana Lopez cheats on her taxes." "Antoine Beignet has a second family in Toledo." After a surprisingly cruel climax, a cleanup chapter can't quite make the skies blue again.
A dark comedy with more darkness than comedy.Pub Date: March 26, 2019
ISBN: 978-0-06-285775-0
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Christina Lauren ‧ RELEASE DATE: April 10, 2018
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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