A tasty (if slight) tour of fast-food offerings the world over.
Sticky fingers, smudged faces, and full bellies—the hallmarks of good street food everywhere.
Whether purchased from a street vendor in Athens, a bike vendor in Marrakech, a train station in Mumbai, one thing is universal: The mouthwatering aromas of cooking food beguile people on highways, alleyways, and byways. Larios’ whimsical tribute to the comfort found in munching mandu in Seoul or chomping a churro in Oaxaca will stir memories of places far away—or right next door. These sometimes-awkward, four- to six-line poems are little bites of specific places and experiences—try a deep-fried scorpion on a stick in Beijing or the black devil’s broth in Surabaya, East Java! Not so adventuresome? How about pretzels in New York or Fenway franks in Boston? Paschkis’ vibrant, opaque watercolor scenes whisk readers off to an Israeli beach or a celebration in Peru. A few page turns later, and the scene is at the foot of a baobab tree in Senegal. Diverse dishes for diverse cultures. Readers will be sorry, however, there is no illustrated food glossary. In the closing “International Menu of Sweets and Treats,” some dishes, such as the devil’s broth, are vividly explained, but others are only names mentioned in passing—Russian pelmeni, piroshki, and blini are lumped together as “savory pastries.” (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
A tasty (if slight) tour of fast-food offerings the world over. (Picture book/poetry. 4-8)Pub Date: April 13, 2021
ISBN: 978-1-5344-5377-7
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
Girl science power and new friendships make for a good combination.
In Fliess’ update, Mary is an inventive scientist, but she’s a lonely one.
“Mary had a little lab. / She tested and created. / While other kids were at the park, / she built and calculated.” The window of her lab provides views of the kids’ fun, and they inspire her to make a friend. Literally. She bikes to a farm for a snip of wool and heads back to use her latest invention: the Sheepinator. The resultant pet is everything she could hope for, not only providing companionship, but also helping out around the house and lab. And when he follows her to school, the kids all ask for their own wooly friends. What could possibly go wrong? Bouloubasis’ hysterical illustrations show the chaos that ensues, but the scientist and her new human friends think of a clever solution that leaves the whole town satisfied…and warm. Fliess’ verses include enough of the original poem (but tweaked) to tickle readers’ funny bones, and the rhyme and rhythm are spot-on. Mary is a wild-haired white redhead who is depicted as safety-conscious (bike helmet, ear protection, rubber gloves, etc.); the other kids are a diverse group. Most diverse (and somewhat distracting) of all are the noses on their faces—all sizes, shapes, and colors.
Girl science power and new friendships make for a good combination. (Picture book. 4-8)Pub Date: March 1, 2018
ISBN: 978-0-8075-4982-7
Page Count: 37
Publisher: Whitman
Review Posted Online: Jan. 21, 2018
Kirkus Reviews Issue: Feb. 1, 2018
There’s always tomorrow.
A lyrical message of perseverance and optimism.
The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.
There’s always tomorrow. (Picture book. 4-7)Pub Date: Jan. 8, 2019
ISBN: 978-1-101-99437-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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